From the Greek mimes to Marcel Marceau and beyond: mimes, actors, Pierrots, and clowns: a chronicle of the many visages of mime in the theatre
2000; Association of College and Research Libraries; Volume: 38; Issue: 04 Linguagem: Inglês
10.5860/choice.38-2085
ISSN1943-5975
Autores Tópico(s)Philippine History and Culture
ResumoForeword Preface Acknowledgments Introduction: On the Meaning of Mime and Pantomime Major Developments of the Art of Mime in the Occident and Orient Exponents of Twentieth-Century Mime Schools and Movement Styles Part One: Mime through the Ages 1 Mime, First Language and Art: Mime in Greece and Rome 2 Mimes and Jongleurs of the Middle Ages 3 Origins of the Commedia Dell'Arte and the Theatres de la Foire 4 Gaspard Deburau and the Pierrots of the Nineteenth Century 5 English Pantomime 6 Mime and Movement in German, Russian, and Italian Theatre 7 Exit Pierrot. Enter Georges Wague Part Two: Twentieth-Century Mime 8 Etienne Decroux, Father of Corporeal Mime 9 Jean-Louis Barrault 10 Marcel Marceau 11 Jacques Lecoq 12 Mimes of Twentieth-Century Europe 13 Mime and Movement Theatre in North America 14 Women's Voices in Mime 15 Movement and Silence in Modern and Postmodern Verbal Theatre 16 Whither Mime? Appendixes A School and Centers for Movement Training B Archives, Resource Centers, and Artist Directories Periodicals and Publications Library and Museum Collections Pantomime and Mime Scripts and Bookshop Collections Festivals C Filmography Works Consulted and Cited Index About the Author
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