The cinema of Ang Lee: the other side of the screen
2015; Association of College and Research Libraries; Volume: 52; Issue: 12 Linguagem: Inglês
10.5860/choice.191584
ISSN1943-5975
Autores Tópico(s)Hong Kong and Taiwan Politics
ResumoAcknowledgments Note on Transliteration 1. Introduction: Ang Lee-A History 2. Ang Lee as Director: His Position in Asian and World Cinema 3. Confucian Values and Cultural Displacement in Pushing Hands 4. Transgressing Boundaries of Gender and Culture in The Wedding Banquet 5. Globalization and Cultural Identity in Eat Drink Man Woman 6. Opposition and Resolution in Sense and Sensibility 7. Fragmentary Narratives/Fragmented Identities in The Ice Storm 8. Race, Gender, Class, and Social Identity in Ride with the Devil 9. Wuxia Narrative and Transnational Chinese Identity in Crouching Tiger, Hidden Dragon 10. The Ultimate Outsider: Hulk 11. Transcending Gender in Brokeback Mountain 12. Eroticism and Performance in Lust/Caution 13. Memory, Narrative, and Transformation in Taking Woodstock 14. Storytelling and Truth in Life of Pi: A Spiritual Journey 15. Conclusion: The Dream of Cinema Notes Bibliography Index
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