Inside Inside Man : Spike Lee and Post-9/11 Entertainment
2010; University of Texas Press; Volume: 50; Issue: 1 Linguagem: Inglês
10.1353/cj.2010.a405347
ISSN1527-2087
Autores Tópico(s)Race, History, and American Society
ResumoThis essay examines Spike Lee's Inside Man in a post-9/11 context. Contrary to reviews that saw the film as apolitical entertainment, it argues that Lee, disguising his former didacticism as escapism, maintains a politically engaged approach to filmmaking in his depictions of ethno-racial tensions in a globalized United States.
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