Minimalism. Art and Polemics in the Sixties
2004; Deutscher Kunstverlag; Volume: 67; Issue: 4 Linguagem: Inglês
10.2307/20474272
ISSN2569-1619
Autores Tópico(s)Art, Politics, and Modernism
ResumoWhat is minimalism? The answer to this simple question has defied simple answers. In this highly readable history of minimalist art James Meyer argues that 'minimalism' was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development - Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris and Anne Truitt - and how the notion of minimalism came to be constructed around their art in the 1960s. Despite distinctive differences in method and points of view, Meyer shows how these artists became equated in a series of important exhibitions and texts that led to their designation as minimalists. -- Dust jacket.
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