The Case of/for Communication (What Does It Mean to Study Popular Music?)
2014; Wiley; Volume: 26; Issue: 1 Linguagem: Inglês
10.1111/jpms.12055
ISSN1533-1598
Autores Tópico(s)Rhetoric and Communication Studies
ResumoJournal of Popular Music StudiesVolume 26, Issue 1 p. 4-13 ARTICLE The Case of/for Communication (What Does It Mean to Study Popular Music?) Roberto Avant-Mier, Roberto Avant-Mier The University of Texas – El PasoSearch for more papers by this author Roberto Avant-Mier, Roberto Avant-Mier The University of Texas – El PasoSearch for more papers by this author First published: 27 March 2014 https://doi.org/10.1111/jpms.12055Citations: 1Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Avant-Mier, R. Rock the Nation: Latin/o Identities and the Latin Rock Diaspora. New York: Continuum, 2010. Calhoun, L. R. “Will the Real Slim Shady Please Stand Up?”: Masking Whiteness, Encoding Hegemonic Masculinity in Eminem's Marshall Mathers LP.” The Howard Journal of Communications 16 (2005): 267–94. Fürsich, E., and R. Avant-Mier. “Popular Journalism and Cultural Change: The Discourse of Globalization in World Music Reviews.” The International Journal of Cultural Studies 16(2) (2012): 101–118. Pineda, R. D. “Will They See Me Coming? Do They Know I'm Running?”: Los Lobos and the Performance of mestizaje Identity Through Journey.” Text and Performance Quarterly 29(2) (2009): 183–200. Selective Bibliography Adorno, T. W. “ On Popular Music.” Cultural Theory and Popular Culture: A Reader. 1941. 4th ed. Ed. J. Storey Harlow. England: Pearson/Longman, 2009. 63–74. Bell, J. S., and R. Avant-Mier. “What's Love Got to do with It?: Analyzing the Discourse of Hip Hop Love through Rap Balladry, 1987 and 2007.” Women and Language 32(2) (2010): 42–9. Chesebro, J. W., D. A. Foulger, J. E. Nachman, and A. Yannelli. “Popular Music as a Mode of Communication, 1955–1982.” Critical Studies in Mass Communication 2 (1985): 115–35. Gonzalez, A., and J. J. Makay. “Rhetorical Ascription and the Gospel According to Dylan.” The Quarterly Journal of Speech 69(1) (1983): 1–14. Irvine, J. R., and W. G. Kirkpatrick. “The Musical Form in Rhetorical Exchange: Theoretical Considerations.” The Quarterly Journal of Speech 58(3) (1972): 272–84. Lewis, G. H. “The Meaning's in the Music and the Music's in Me: Popular Music as Symbolic Communication.” Theory, Culture, & Society 1(3) (1983): 133–41. Lieb, K. J., Kristin J. Gender, Branding and the Modern Music Industry. New York: Routledge, 2013. Lull, J. Popular Music and Communication. Newbury Park, CA: Sage Publications, 1987. Morris, D. “Hick-Hop Hooray?: “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity.” Critical Studies in Media Communication 28(5) (2011): 466–88. Ong, W. J. African Talking Drums and Oral Noetics.” New Literary History 8(3) (1977): 411–29. Powers, D. “The “Folk Problem”: The Village Voice Takes on Folk Music, 1955–65.”Journalism History 33(4) (2008): 205–14. Powers, D. “Bye Bye Rock”: One the Possibility of an Ethics of Rock Criticism.” Journalism Studies 10(3) (2009): 322–36. Powers, D. “Rock Criticism's Public Intellectuals.” Popular Music and Society 33(4) (2010): 533–48. Powers, D. “Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and a History of Hype.” Popular Music and Society 34(2)(2011): 203–19. Vancour, S. “Popularizing the Classics: Radio's Role in the American Music Appreciation Movement, 1922–34.” Media, Culture & Society 31(2) (2009): 289–307. Citing Literature Volume26, Issue1March 2014Pages 4-13 ReferencesRelatedInformation
Referência(s)