Portal de Periódicos da CAPES

Why the Law Needs Music: Revisiting NAACP v. Button Through the Songs of Bob Dylan

2011; RELX Group (Netherlands); Linguagem: Inglês

10.2139/ssrn.1965501

1556-5068

Renee Knake Jefferson,

Law in Society and Culture

The law needs music, a truth revealed by revisiting the United States Supreme Court’s opinion in NAACP v. Button through the songs of Bob Dylan and Sandra Seaton’s play Music History. The Court decided Button in 1963, just a few months before the debut of Dylan’s acclaimed album, The Freewheelin’ Bob Dylan. In Button, the Court held that the First Amendment protected the NAACP’s legal assistance to individuals for the enforcement of constitutional and civil rights. The decision was a victory for the NAACP, yet success in the courtroom did not translate entirely to success on the ground. Indeed, in the same year, NAACP Mississippi Field Secretary Medgar Evers was assassinated, and the Birmingham Sixteenth Street Baptist Church was bombed. These events serve as reminders of law’s inadequacies, in that the constitutional protection of legal services in Button did little to stop the needless loss of life and violence that was characteristic of racial desegregation efforts. Not only did tragedy persist, but the NAACP’s long-term vision for racial equality has never been completely realized. Playwright Sandra Seaton focuses on the law’s inadequacies in her drama Music History, also set in the turbulence of 1963. Her characters endure the law’s failings firsthand when a University of Illinois student, Walter, the beloved of Etta, is killed during his work on the voter rights campaign in Mississippi.