Portal de Periódicos da CAPES

Black, White, and Blue: Racial Politics in B.B. King's Music from the 1960s

2011; Wiley; Volume: 44; Issue: 2 Linguagem: Inglês

10.1111/j.1540-5931.2011.00828.x

1540-5931

Ulrich Adelt,

Musicology and Musical Analysis

The Journal of Popular CultureVolume 44, Issue 2 p. 195-216 Black, White, and Blue: Racial Politics in B.B. King's Music from the 1960s ULRICH ADELT, ULRICH ADELT University of WyomingSearch for more papers by this author ULRICH ADELT, ULRICH ADELT University of WyomingSearch for more papers by this author First published: 28 March 2011 https://doi.org/10.1111/j.1540-5931.2011.00828.xRead the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Aylward, Jim. Liner notes. B.B. King, Mr. Blues. ABC, 1962. LP. B.B. King: King of the Blues (Ralph Gleason's Jazz Casual). VHS. Los Angeles, CA: Rhino Home Video, 2000 (1968). Film. Brunning, Bob. Blues: The British Connection. Poole: Blandford, 1986. Carby, Hazel V. Cultures in Babylon: Black Britain and African America. London: Verso, 1999. Charters, Samuel. The Country Blues. 1959. New York: Da Capo, 1975. Cobb, James. The Most Southern Place on Earth: The Mississippi Delta and the Roots of Regional Identity. New York: Oxford UP, 1992. Danchin, Sebastian. Blues Boy: The Life and Music of B.B. King. Jackson: UP of Mississippi, 1998. Davis, Angela. Blues Legacies and Black Feminism. New York: Vintage, 1999. Filene, Benjamin. Romancing the Folk: Public Memory and American Roots Music. Chapel Hill: U of North Carolina P, 2000. Finn, Julio. The Bluesman. London: Quartet, 1986. Fox, Ted. Showtime at the Apollo. New York: Holt, Rinehart and Winston, 1983. Frith, Simon, and Howard Horne. Art into Pop. London: Methuen, 1987. Gleason, Ralph. Liner notes. B.B. King, Completely Well. ABC, 1971. LP. Govenar, Alan. Meeting the Blues: The Rise of the Texas Sound. 1988. New York: Da Capo, 1995. Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. New York: Routledge, 1992. Gussow, Adam. Seems Like Murder Here: Southern Violence and the Blues Tradition. Chicago, IL: U of Chicago P, 2002. Harrison, Daphne Duval. Black Pearls: Blues Queens of the 1920s. New Brunswick, NJ: Rutgers UP, 1988. Jones, Leroi. Blues People. New York: William Morrow, 1963. Keil, Charles. Urban Blues. Chicago, IL: U of Chicago P, 1966. King, B. B. with David Ritz. Blues All Around Me: The Autobiography of B.B. King. New York: Avon, 1996. Richard Kostelanetz, ed. The B.B. King Companion: Five Decades of Commentary. New York: Schirmer, 1997. Mahon, Maureen. Right to Rock: The Black Rock Coalition and the Cultural Politics of Race. Durham, NC: Duke UP, 2004. McClary, Susan. Conventional Wisdom: The Content of Musical Form. Berekeley: U of California P, 2000. Oliver, Paul. Blues Fell This Morning: Meaning in the Blues. 1960. New York: Cambridge UP, 1990. Palmer, Robert. Deep Blues. New York: Viking, 1981. Radano, Ronald. Lying Up a Nation: Race and Black Music. Chicago, IL: U of Chicago P, 2003. Ramsey, Guthrie P., Jr. Race Music: Black Cultures from Bebop to Hip-Hop. Berkeley: U of California P, 2003. Redd, Lawrence N. Rock Is Rhythm and Blues: The Impact of Mass Media. East Lansing: Michigan State UP, 1974. The Road to Memphis. Dir. Richard Pearce and Robert Kenner. Vulcan Productions and Road Movies, 2003. DVD. Russell, Tony. Blacks, Whites and Blues. New York: Stein and Day, 1970. Sawyer, Charles. The Arrival of B.B. King. New York: Da Capo, 1980. Sawyer, Charles. The Legacy: Keep the Hammer Down. The B.B. King Companion: Five Decades of Commentary. Ed. Richard Kostelanetz. New York: Schirmer, 1997. 221– 51. Spencer, Jon Michael. Blues and Evil. Knoxville: U of Tennessee P, 1993. Streissguth, Michael. Johnny Cash at Folsom Prison: The Making of a Masterpiece. Cambridge, MA: Da Capo, 2004. Woods, Clyde. Development Arrested: The Blues and Plantation Power in the Mississippi Delta. New York: Verso, 1998. Volume44, Issue2April 2011Pages 195-216 ReferencesRelatedInformation