The New Woman in Fiction and in Fact: Fin-de-Siécle Feminisms
2001; Penn State University Press; Volume: 17; Issue: 1 Linguagem: Inglês
ISSN
2154-9648
AutoresAngelique Richardson, Chris Willis,
Tópico(s)Fashion and Cultural Textiles
ResumoForeword L.Pykett List of Figures Acknowledgements Notes on Contributors Introduction: A.Richardson & C.Willis 'Nothing but Foolscap and Ink', Inventing the New Woman T.Schaffer Bicycles and Blue Stockings: Packaging the New Woman for Mass Consumption C.Willis Horses, Bikes and Automobiles: New Women on the Move S.Wintle Ibsen, the New Woman and the Actress S.Ledger 'He-notes': Reconstructing Masculinity G.Cunningham New Woman and the New Hellenism A.Ardis Narrating the Hysteric: Fin de Siecle Medical Discourse and Sarah Grand's The Heavenly Twins A.Heilmann Staging the 'Private Theatre': Gender and the Auto-Erotics of Reverie L.Marcus Scaping the Body: Of Cannibal Mothers and Colonial Landscapes R.Stott Capturing the Idea: Olive Schreiner's From Man to Man C.Burdett 'People Talk a Lot of Nonsense about Heredity': Mona Caird and Anti-Eugenic Feminism A.Richardson The New Woman in Nowhere: Feminism and Utopianism at the Fin de Siecle M.Beaumont The Next Generation: Stella Browne, the New Woman as Freewoman L.A.Hall Women in British Aestheticism and the Decadence R.Gagnier Index
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