Artigo Acesso aberto Revisado por pares

The Politics of the Inner: Why The Dark Knight Rises is Not a Conservative Allegory

2015; Wiley; Volume: 48; Issue: 5 Linguagem: Inglês

10.1111/jpcu.12339

ISSN

1540-5931

Autores

Benjamin Winterhalter,

Tópico(s)

Populism, Right-Wing Movements

Resumo

The Journal of Popular CultureVolume 48, Issue 5 p. 1030-1047 Original Article The Politics of the Inner: Why The Dark Knight Rises is Not a Conservative Allegory Benjamin Winterhalter, Benjamin WinterhalterSearch for more papers by this author Benjamin Winterhalter, Benjamin WinterhalterSearch for more papers by this author First published: 19 October 2015 https://doi.org/10.1111/jpcu.12339Citations: 3Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Bordwell, David. The Way Hollywood Tells It. Berkeley: U of California P, 2007. Print. " Christopher Nolan: 'Dark Knight Rises' Isn't Political." Interview with Christopher Nolan. Rolling Stone. Wenner Media. 20 Jul. 2012. Web. 1 Dec. 2013. Douthat, Ross. "The Politics of 'The Dark Knight Rises.'" NYTimes.com. 23 Jul. 2012. Web. 1 Dec. 2013. Fisher, Mark, and Rob White. " The Politics of 'The Dark Knight Rises:' A Discussion." Film Quarterly. UC Berkeley P. 28 Sept. 2012. Web. 1 Dec. 2013. Foundas, Scott. " Cinematic Faith." Interview with Christopher Nolan. Film Comment. Film Society of Lincoln Center, n.d. Web. 1 Dec. 2013. Fradley, Martin. "What Do You Believe In? Film Scholarship and the Cultural Politics of the Dark Knight Franchise." Film Quarterly 66.3 (2013): 15–27. Print. Kafka, Franz. The Complete Stories. Ed. Nahum Glatzer. New York: Shocken, 1995. Print. Lane, Anthony. "Batman's Bane." The New Yorker. Condé Nast. 30 Jul. 2012. Web. 1 Dec. 2013. Maltby, Richard. Hollywood Cinema. 2nd ed. Oxford: Blackwell, 2003. Print. Michaels, Walter Benn. "The Death of a Beautiful Woman: Christopher Nolan's Idea of Form." Electronic Book Review (2007): n.p. Web. 1 Dec. 2013. Nolan, Christopher, dir. Batman Begins. Warner Brothers, 2005. DVD. Nolan, Christopher, dir. " Director's Commentary." The Dark Knight Rises. Warner Brothers, 2012. DVD. Nolan, Christopher, dir. Inception. Warner Brothers, 2010. DVD. Nolan, Christopher, dir. Memento. Summit Entertainment, 2000. DVD. Nolan, Christopher, dir. The Dark Knight. Warner Brothers, 2008. DVD. Nolan, Christopher, dir. The Dark Knight Rises. Warner Brothers, 2012. DVD. Nolan, Christopher, dir. " Personal Quotations." IMDB. IMDB.com. Nolan, Christopher, dir. The Prestige. Buena Vista, 2006. DVD. n.d. Web. 20 Nov. 2014. O'Hehir, Andrew. " 'The Dark Knight Rises:' Christopher Nolan's Evil Masterpiece." Salon.com. 18 Jul. 2012. Web. 1 Dec. 2013. Podhoretz, John. " Evil Undone: The Moral Clarity of Christopher Nolan's Batman Series." The Weekly Standard 17.32. 30 Jul. 2012. Web. 1 Dec. 2013. Thompson, Kristin. Storytelling in the New Hollywood. Cambridge, MA: Harvard UP, 1999. Print. Wallace, David Foster. "Laughing with Kafka." Harper's. 5 July 1998: 25–27. Print. Žižek, Slavoj. "The Politics of Batman." The New Statesman. 23 Aug. 2012. Web. 1 Dec. 2013. Citing Literature Volume48, Issue5October 2015Pages 1030-1047 ReferencesRelatedInformation

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