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Post-Fidelity: A New Age of Music Consumption and Technological Innovation

2011; Wiley; Volume: 23; Issue: 4 Linguagem: Inglês

10.1111/j.1533-1598.2011.01305.x

1533-1598

Daniel Guberman,

Music and Audio Processing

Journal of Popular Music StudiesVolume 23, Issue 4 p. 431-454 Post-Fidelity: A New Age of Music Consumption and Technological Innovation Daniel Guberman, Daniel Guberman University of North Carolina at Chapel HillSearch for more papers by this author Daniel Guberman, Daniel Guberman University of North Carolina at Chapel HillSearch for more papers by this author First published: 22 December 2011 https://doi.org/10.1111/j.1533-1598.2011.01305.xCitations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. 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Stereophile 6.5 (1983): 8–11. Hosokawa, Shuhei. "The Walkman Effect. Popular Music 4 (1984): 165–80. Jones, Dylan. iPod, Therefore I Am: Thinking Inside the White Box. New York : Bloomsbury, 2005. Judman, Mark, and Daniel Morrison. "Letters: A Call for Balance. High Fidelity 31.10 (1981). Katz, Mark. Capturing Sound: How Technology Has Changed Music. Revised Edition. Berkeley : U of California P, 2010. Keightley, Keir. "'Turn It Down!' She Shrieked: Gender, Domestic Space, and High Fidelity, 1948–59. Popular Music 15.2 (1996): 149–77. Marriott, Michael. Downtime: New Ways to Play MP3 Music, Without Plugs or Speakers. The New York Times (August 19, 1999): G11. Menn, Joseph. All the Rave: The Rise and Fall of Shawn Fanning's Napster. New York : Crown Business, 2003. Mettler, Mike. Format and Function: The Methods of Music Delivery May Change, but the Song Remains the Same. Sound and Vision (July/August 2006): 12. Meyer, E. Brad, and David R. Moran. 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