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A Bossa Nova no discurso literomusical brasileiro

2009; Volume: 24; Issue: 1 Linguagem: Português

10.5020/23180714.2009.424

2318-0714

Monica Furtado,

Cultural, Media, and Literary Studies

This paper shows some verbal and musical characteristics of Bossa Nova and analysis of the songs Chega de Saudade, by Antonio Carlos Jobim e Vinicius de Moraes, Desafinado and Samba de Uma Nota So, de Antonio Carlos Jobim e Newton Mendonca, according to the concepts of generic, ethical, scenographic and linguistic investments, among others, delineated by the French discourse Analysis, mainly, by the theoretician Dominique Maingueneau. Keywords: Discourse position. Ethos. Scenography. Linguistic code.