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U nearthing the P ast : T heory and A rchaeology in R obert G jerdingen ' s M usic in the G alant S tyle

2012; Wiley; Volume: 31; Issue: 1 Linguagem: Inglês

10.1111/j.1468-2249.2012.00348.x

1468-2249

Vasili Byros,

Neuroscience and Music Perception

Music AnalysisVolume 31, Issue 1 p. 112-124 CRITICAL FORUM Unearthing the Past: Theory and Archaeology in Robert Gjerdingen's Music in the Galant Style Vasili Byros, Vasili Byros Northwestern UniversitySearch for more papers by this author Vasili Byros, Vasili Byros Northwestern UniversitySearch for more papers by this author First published: 17 September 2012 https://doi.org/10.1111/j.1468-2249.2012.00348.xCitations: 4Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat REFERENCES Anderson, Emily (trans.), 1938: The Letters of Mozart and His Family (London: Macmillan). Bonds, Mark Evan, 2008: ‘Listening to Listeners’, in Danuta Mirka and Kofi Agawu (eds), Communication in Eighteenth-Century Music (Cambridge: University of Cambridge Press, 2008), pp. 34–52. Byros, Vasili, 2009a: ‘Towards an “Archaeology” of Hearing: Schemata and Eighteenth-Century Consciousness’, Musica Humana, 1–2, pp. 235–306. Byros, Vasili, 2009b: ‘Foundations of Tonality as Situated Cognition, 1730–1830: an Enquiry into the Culture and Cognition of Eighteenth-Century Tonality, with Beethoven's Eroica Symphony as a Case Study’ (PhD diss., Yale University). Byros, Vasili, forthcoming: ‘Meyer's “Anvil”: Revisiting the Schema Concept’, Music Analysis, 31/iii. Clarke, Eric and Cook, Nicholas, 2004: ‘Introduction: What is Empirical Musicology’, in Eric Clarke and Nicholas Cook (eds), Empirical Musicology: Aims, Methods, Prospects (Oxford and New York: Oxford University Press), pp. 3–14. Cudworth, Charles L., 1949: ‘Cadence Galante: the Story of a Cliché’, Monthly Musical Record, 79, pp. 176–8. Gjerdingen, Robert O., 1988: A Classic Turn of Phrase: Music and the Psychology of Convention (Philadelphia, PA: University of Pennsylvania Press). Gjerdingen, Robert O., 1996: ‘Courtly Behaviors’, Music Perception, 13/iii, pp. 365–82. Goehr, Lydia, 1992: The Imaginary Museum of Musical Works: an Essay in the Philosophy of Music (Oxford and New York: Oxford University Press). Heartz, Daniel, 2003: Music in European Capitals: the Galant Style, 1720–1780 (New York: Norton). Koestler, Arthur, 1968: Ghost in the Machine (New York: Macmillan). Kubler, George, 1962: The Shape of Time: Remarks on the History of Things (New Haven, CT: Yale University Press). Meyer, Leonard B., 1956: Emotion and Meaning in Music (Chicago: University of Chicago Press). Meyer, Leonard B., [1967] 1994: Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture, with a New Postlude (Chicago: University of Chicago Press). Meyer, Leonard B., 1973: Explaining Music: Essays and Explorations (Chicago: University of Chicago Press). Meyer, Leonard B., 1980: ‘Exploiting Limits: Creation, Archetypes, and Style Change’, Daedalus, 109/ii, pp. 177–205; reprinted in Meyer (2000), pp. 189–225. Meyer, Leonard B., 1989: Style and Music: History, Theory, and Ideology (Chicago: University of Chicago Press). Meyer, Leonard B., 2000: The Spheres of Music: a Gathering of Essays (Chicago: University of Chicago Press). Meyer, Leonard B. and Rosner, Burton S., 1982: ‘Melodic Processes and the Perception of Music’, in Diana Deutsch (ed.), The Psychology of Music (New York: Academic Press), pp. 317–41; reprinted in Meyer (2000), pp. 157–85. Sanguinetti, Giorgio, 2012: The Art of Partimento: History, Theory, and Practice (New York: Oxford University Press). Citing Literature Volume31, Issue1March 2012Pages 112-124 ReferencesRelatedInformation