Artigo Revisado por pares

Voz de Pueblo Chicano : Sustainability, Teaching, and Intangible Cultural Transfer in Conjunto Music

2011; Wiley; Volume: 34; Issue: 1 Linguagem: Inglês

10.1111/j.1542-734x.2011.00762.x

ISSN

1542-734X

Autores

Daniel S. Margolies,

Tópico(s)

Music History and Culture

Resumo

The Journal of American CultureVolume 34, Issue 1 p. 36-48 Voz de Pueblo Chicano: Sustainability, Teaching, and Intangible Cultural Transfer in Conjunto Music Daniel S. Margolies, Daniel S. Margolies Virginia Wesleyan CollegeSearch for more papers by this author Daniel S. Margolies, Daniel S. Margolies Virginia Wesleyan CollegeSearch for more papers by this author First published: 09 March 2011 https://doi.org/10.1111/j.1542-734X.2011.00762.x Dan Margolies is Professor of History at Virginia Wesleyan College. He is the author of Spaces of Law in American Foreign Relations: Extradition and Extraterritoriality in the Borderlands and Beyond, 1877–1898 (Athens: University of Georgia Press, 2011) and is currently working on a book project comparing conjunto, Cajun, and Appalachian old-time music festivals. Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Arreola, Daniel D. Tejano South Texas: A Mexican American Cultural Province. Texas: U of Texas P, 2002. Google Scholar Best of the 8th Annual Tejano Conjunto Festival en San Antonio 1989, GCAC, 2009. CD. Google Scholar Borders y Bailes. Smithsonian Folkways, 2010. Accessed on 1 Sept. 2010 〈http://www.folkways.si.edu/albumdetails.aspx?itemid=3226〉. Google Scholar Brown, Michael F. Who Owns Native Culture? Cambridge: Harvard UP, 2004. Google Scholar Burr, Ramiro. “Alberto V. Macias: legendary bajo sexto maker dead at 72.” 17 Dec. 2009. Accessed on 1 Sept. 2010 〈http://www.ramiroburr.com/true/site/index.php?option=com_content&view=article&catid=3:newsflash&id=564:albertovmaciasdead〉. Google Scholar Butler School of Music Conjunto Ensemble, Sarah and Ernest Butler School of Music, University of Texas at Austin, 2010. Accessed on 1 Sept. 2010 〈http://ww4.austin.utexas.edu/bsom/ensembles/details.aspx?id=54〉. Google Scholar Cantwell, Robert. Ethnomimesis. Folklife and the Representation of Culture. Chapel Hill: U of North Carolina P, 1993. Google Scholar Chhabra, Deepak Proposing a Sustainable Marketing Framework for Heritage Tourism. Journal of Sustainable Tourism 17.3 (May 2009): 303-20. 10.1080/09669580802495758 Web of Science®Google Scholar Chulas Fronteras. Dir. Les Blank. Flower Films, 1976. DVD. Google Scholar “Conjunto Music Scholarships Available at Palo Alto College,” 10 June 2009. Accessed on 1 Sept. 2010 〈http://www.alamo.edu/pac/htm/new/community/publicaffairs/news_releases/2009/Conjunto-June.pdf〉. Google Scholar Conjunto Palo Alto. Conjunto Palo Alto. Palo Alto, CA: Palo Alto College, 2008. Google Scholar Corona II Flaco Jimenez Signature Model. Hohner Inc., 2010. Accessed on 1 Sept. 2010 〈http://hohnerusa.com/index.php?1827〉. Google Scholar “Explore Roots, Evolution of Tejano Conjunto/Norteño Music at Mid-Valley Campus on October 2,” South Texas College News, 1 Sept. 2010. Accessed on 1 Oct. 2010 〈http://news.southtexascollege.edu/?p=2813〉. Google Scholar Hernandez, Deborah Pacini. Oye Como Va: Hybridity and Identity in Latino Popular Music. Philadelphia: Temple UP, 2010. Google Scholar Hutchinson, Sydney. From Quebradita to Duranguense: Dance in Mexican American Youth Culture. Tucson: U of Arizona P, 2007. Google Scholar KEDA. 2010. Accessed on 1 Sept. 2010 〈http://www.kedaradio.com/〉. Google Scholar Kirshenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage. Berkeley: U of California P, 1998. Google Scholar Limón, José. Dancing With The Devil: Society And Cultural Poetics In Mexican-American South Texas. Madison: U of Wisconsin P, 1994. Google Scholar Macias, George. Personal interview. 13 May 2010. Google Scholar Martiniello, Marco, and Jean-Michel Lafleur. ‘Ethnic Minorities' Cultural and Artistic Practices as Forms of Political Expression: A Reivew of the Literature and a Theoretical Discussion of Music. Journal of Ethnic and Migration Studies 34.8 (Nov. 2008): 1191-215. 10.1080/13691830802364809 Web of Science®Google Scholar Mitchell, Nora J. Considering the Authenticity of Cultural Landscapes. APT Bulletin 39.2/3 (2008): 25-31. Google Scholar Olga Nájera-Ramírez, Norma E. Cantú, and Brenda M. Romero, eds. Dancing across Borders: Danzas y Bailes Mexicanos. Campaign: U of Illinois P, 2009. Google Scholar Peña, Manuel H. The Texas-Mexican Conjunto: History of a Working-Class Music. Austin: U of Texas P, 1985. Google Scholar Peña, Manuel H. Musica Tejana: The Cultural Economy of Artistic Transformation. College Station: Texas A&M UP, 1999. Google Scholar Peña, Manuel H. The Emergence of Conjunto Music, 1935–1955. ¡Puro Conjunto! An Album in Words and Pictures. Eds. Juan Tejeda and Avelardo Valdez. Austin: Center for Mexican American Studies, University of Texas, 2001. 13-30. Google Scholar Peña, Manuel H. Where the Ox Does Not Plow: A Mexican American Ballad. Albuquerque: U of New Mexico P, 2008. Google Scholar Ragland, Catherine. La Voz del Pueblo Tejano: Conjunto Music and the Construction of Tejano Identity in Texas. ¡Puro Conjunto! An Album in Words and Pictures. Eds. Juan Tejeda and Avelardo Valdez. Austin: Center for Mexican American Studies, University of Texas, 2001. 211-28. Google Scholar Ragland, Catherine. Música Norteña: Mexican Migrants Creating a Nation Between Nations. Philadelphia: Temple UP, 2009. 10.2307/j.ctt14btdjr Google Scholar Ratliff, Ben. “A Rural Dance Tradition in Twilight,”New York Times, 29 Nov. 2007. Google Scholar Reyes Forum . Reyes Accordions, 2010. Accessed on 1 Sept. 2010 〈http://reyesforum.com/〉. Google Scholar Reyes, Gilbert. Personal interview. 13 May 2010. Google Scholar Saldaña, Hector. “Student conjunto breaks ground at Palo Alto College,”San Antonio Express-News, 3 Dec. 2008. Accessed on 1 Sept. 2010 〈http://www.mysanantonio.com/entertainment/music/Student_conjunto_breaks_ground_at_Palo_Alto_College.html?c=y&page=1#storytop〉. Google Scholar San Miguel Jr., Guadalupe. Tejano Proud: Tex-Mex Music in the Twentieth Century. College Station: Texas A&M UP, 2002. Google Scholar Schmitt, Thomas M. The UNESCO Concept of Safeguarding Intangible Cultural Heritage: Its Background and Marrakchi Roots. International Journal of Heritage Studies 14.2 (Mar. 2008): 95-111. 10.1080/13527250701844019 Web of Science®Google Scholar Peter Seitel, ed. Safeguarding Traditional Cultures: A Global Assessment. Washington, DC: Smithsonian Institution Center for Folklife and Cultural Heritage, 2001. Google Scholar Slobin, Mark. Subcultural Sounds: Micromusics of the West. Hanover, CT: Wesleyan UP, 1993. Google Scholar Laurajane Smith, and Natsuko Akagawa, eds. Intangible Heritage. London: Routledge. 2009. Google Scholar Songs of the Homeland. Dir. Hector Galán. Galan Films, 2005. DVD. Google Scholar Soto, Amanda C. Conjunto in the Classroom. Music Educators Journal 95.1 (Sept. 2008): 54-59. 10.1177/0027432108318482 Google Scholar Stanton, Cathy. Serving Up Culture: Heritage and its Discontents at an Industrial History Site. International Journal of Heritage Studies 11.5 (Dec. 2005): 415-31. 10.1080/13527250500337454 Google Scholar Taquachito Nights: Conjunto Music from South Texas. Smithsonian Folkways, 1999. Google Scholar Tejeda, Juan. An Odyssey Through the Magical Land of Conjunto, El Movimiento Xicano, and the Tejano Conjunto Festival. ¡Puro Conjunto! An Album in Words and Pictures. Eds. Juan Tejeda and Avelardo Valdez. Austin: Center for Mexican American Studies, University of Texas, 2001. 359-77. Google Scholar Tejeda, Juan. Personal interview. 18 Mar. 2010. Google Scholar The Best of the 27th Annual Tejano Conjunto Festival en San Antonio 2008, GCAC, 2009. Google Scholar Titon, Jeff Todd. Music and Sustainability: An Ecological Viewpoint. The World of Music 51.1 (2009): 119-37. Web of Science®Google Scholar Young, Ron. Macías: The Stradivarius of Bajo Sextos. ¡Puro Conjunto! An Album in Words and Pictures. Eds. Juan Tejeda and Avelardo Valdez. Austin: Center for Mexican American Studies, University of Texas, 2001. 131-34. Google Scholar Volume34, Issue1Special Issue:Teaching American Culture in a Global Society: Guest Edited by Kathy Merlock Jackson and Monroe FriedmanMarch 2011Pages 36-48 ReferencesRelatedInformation

Referência(s)
Altmetric
PlumX