Balkan popular culture and the Ottoman ecumene: music, image, and regional political discourse
2008; Association of College and Research Libraries; Volume: 45; Issue: 11 Linguagem: Inglês
10.5860/choice.45-6068
ISSN1943-5975
Autores Tópico(s)Philippine History and Culture
ResumoPart 1 Illustrations Part 2 Contents of CD-ROM Part 3 Series Foreword Part 4 Preface and Acknowledgments Part 5 Prelude Chapter 6 1. Oh, Those Turks! Music, Politics, and Interculturality in the Balkans and Beyond Part 7 Part I Post-1989 Culture Industries and Their Nationalist Icons Chapter 8 2. Bosnian and Serbian Popular in the 1990s: Divergent Paths, Conflicting Meanings, and Shared Sentiments Chapter 9 3.Musica Orientala: Identity and Popular Culture in Postcommumist Romania Chapter 10 4. BularianChalga on Video: Oriental Stereotypes, Mafia Exoticism, and Politics Chapter 11 5. Regional Voices in a National Soundscape: Balkan and Dance in Greece Part 12 Part II Beyond Nation: Regionalisms in a Cosmopolitan Frame Chapter 13 6. Ottoman Echoes. Byzantine Frescoes, and Musical Instruments in the Balkans Chapter 14 7. Bulgarian Ethnopop along the OldVia Militaris: Ottomanism, Orientalism, or Balkan Cosmopolitanism? Chapter 15 8. The Criminals of Albanian Albanian Commercial Folk and Issues of Identity since 1990 Chapter 16 9. Shedding Light on the Balkans: Sezen Aksu's Anatolian Pop Chapter 17 10. Trafficking in the Exotic with Gypsy Music: Balkan Roma, Cosmopolitanism, and World Music Festivals Part 18 Postlude Chapter 19 11. Balkan Boundaries and How to Cross Them: A Postlude Part 20 References Part 21 Discography Part 22 Filmography and Videography Part 23 Index Part 24 About the Editor and Contributors
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