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Wagner, ‘On Modulation’, and Tristan

1989; Cambridge University Press; Volume: 1; Issue: 1 Linguagem: Inglês

10.1017/s0954586700002755

1474-0621

Carolyn Abbate,

Musicology and Musical Analysis

So says Othello, confronting Iago for the last time in Shakespeare's play. He looks down to seek for the cloven hoof of a demon, for only if lago is satanic can Othello understand what has come to pass. Looking down – the physical gesture – represents an impulse to interpret, to find clues, codes, signs there in the darkness. But Iago is no supernatural being: ‘that's a fable’. What remains is an enigmatic lago more frightening than any demon – the attempt to interpret undermined by the sign not given.