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Some Questions on the Original Version of Gluck and Angiolini's Don Juan

2007; Taylor & Francis; Volume: 30; Issue: 3 Linguagem: Inglês

10.1080/01472520701638565

1532-4257

Sibylle Dahms,

Historical Influence and Diplomacy

Click to increase image sizeClick to decrease image size Notes 1. For detailed information, see Bruce A. Brown, Gluck and the French Theatre in Vienna (Oxford: Clarendon Press, 1991). 2. Christoph Willibald Gluck, Don Juan: Pantomimisches Ballett. ed. Robert Haas (Vienna, 1923). Denkmäler der Tonkunst in Österreich, 30th year, part 2, Vol. 60. Christoph Willibald Gluck: Don Juan/Semiramis: Ballets Pantomimes, ed. Richard Engländer (Kassel and Basel: Bärenreiter, 1966), Chr. W. Gluck, Sämtliche Werke, Vol. II, No. 1. 3. Staatsbibliothek Berlin (Mus. Ms. 7827). 4. These can be found in Brussels (Bibliothèque Royal), Munich (Baverische Staatsbibliothek), and Dresden (Sächsische Landesbibliothek). 5. More details about the sources will be found in the preface to the forthcoming edition of this version in the Gluck-Gesamtausgabe,Vol. II, No. 2. 6. Karl Graf Zinzendorf, Die Jugendtagebücher (1752–1763), ed. Maria Breunlich and Marieluise Mader (Vienna: Böhlau, 1997), pp. 239ff. 7. A set of instrumental parts for Galeotti's Don Juan is to be found in the Kongelige Bibliotek in Copenhagen. 8. Theatralkalender, Vienna, 1772, p. 198. 9. Charles LePicq, Il Convitato di Pietro, as performed with Great applause at the King's Theatre, London, [1785]. 10. The description is to be found in Otto Bacher, Geschichte der Oper in Frankfurt im 18. Jahrhundert (Frankfurt, 1926), p. 40. 11. A detailed bibliography of all scenarios and playbills is given in the critical report of the forthcoming edition of Don Juan in the Gluck-Gesamtausgabe. 12. The sources are a score at the State Library in Regensburg, a set of instrumental parts in the University library of Münster, and the so-called Parisian scenario (or Pariser Szenar), in the Bibliothèque du Conservatoire, Paris, and the Berlin Staatsbibliothek. These stage directions have all been included in the musical text of the forthcoming new critical edition of Don Juan. 13. Klaus Hortschansky, Parodie und Entlehnung im Schaffen Christoph Willibald Glucks, in Analecta Musicologica, Vol. 13 (Cologne, 1973), p. 298.