Animals, Machines, and Postnational Identity in Julio Medem's Vacas
2004; Taylor & Francis; Volume: 10; Issue: 2 Linguagem: Inglês
10.1080/1470184042000317143
ISSN1470-1847
Autores Tópico(s)Spanish History and Politics
ResumoClick to increase image sizeClick to decrease image size Notes Correspondence to: Nathan E. Richardson, Department of Romance Languages, Bowling Green State University, 203 Shatzel Hall, Bowling Green, OH 43403, USA. Email: nrichar@bgnet.bgsu.edu Heiberg argues that during the 1920s, Basque nationalism was most powerfully manifest and promoted through athletic competitions, dance and music festivals, and other cultural arts (1989, p. 76). She explains, further, that political nationalism preceded cultural nationalism in the promotion of such events, and that such events were regularly promoted in a way so as to provoke opposition between Basques and Anti‐Basques, despite official declarations of the Basque community as ‘one great family tied by blood, culture, shared interests and destiny’ (1989, pp. 76–77).
Referência(s)