Psyche and Cinema: “Go Ask Alice (or Neo); I Think They'll Know”
2006; Taylor & Francis; Volume: 49; Issue: 2 Linguagem: Inglês
10.1080/00332920600998338
ISSN1556-3030
Autores Tópico(s)Contemporary Literature and Criticism
ResumoThe Walt Disney version of Alice in Wonderland is a musical animation beginning in a semi-pastoral setting with butterflies, birds, and daisies. Alice is bored with the textual reading of classical history being given by her uptight Victorian sister. Instead, she wants images, pictures in a book. She sees image as world. “In my world, books will have nothing but pictures,” she declares. This thought takes her further into her imagination and the deconstructive realm it creates. “Everything will be what it isn't and not be what it is.” Finally, she looks into a pond and the reflection of a white rabbit dressed in a frock coat passes by. The mirror of the water surface has released an image of the “other,” an animal, difficult to catch and associated with luck, fertility, and the underground. Alice follows the rabbit into a hole and takes a fall, a radical descent into the underworld. She speculates about descending through the earth to the other side and walking around upside down. She finally lands in front of a door with a punning knob that takes three linguistic “turns.” For Alice, it is impassible but not impossible. Stuck and distraught, she finally gets caught up in the flow of her tears, and rides through the door on her stream of consciousness.
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