Revenge and the Family Romance in Tarantino’s Kill Bill
2014; University of Manitoba Press; Volume: 47; Issue: 2 Linguagem: Inglês
10.1353/mos.2014.0022
ISSN1925-5683
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoQuentin Tarantino’s Kill Bill realizes a primary revenge fantasy in which the murdered victim is also the triumphant revenger who seemingly rewrites the past and resurrects the dead. Avoiding revenge’s conventional tragic ending, the film moves toward romance, the genre associated with reunited families and wish-fulfilment.
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