Portal de Periódicos da CAPES

Sidetrack – Robert Rauschenberg

2007; Taylor & Francis; Volume: 76; Issue: 1-2 Linguagem: Inglês

10.1080/00233600701349330

1651-2294

Annika Gunnarsson,

Art, Technology, and Culture

Click to increase image sizeClick to decrease image size Notes 1. Prints by Robert Rauschenberg in the Moderna Museet collection: MOM/2001/334 Caucus, 1997; MOM/2004/100-104 Graphics at Automation House, 1971 (Tom Gormely, Red Grooms, Robert Withman, Andy Warhol, Marisol Escobar, Robert Rauschenberg) (poster); MOM/2004/114 Untitled; 1968, MOM/2004/115 9 Evenings: Theatre and Engineering, 1966 (poster); MOM/2004/117 New York Collection for Stockholm, 1973, (poster); MOM/2004/125 Art Cash, 1971; MOM/2005/589 R(etourné), 1965; MOM/2005/590 Five New York evenings, 1964 (poster); NMG 1/1981 Steel Arbor, from the series Rookery Mounds, 1979; NMG 233/1973 Works by Artists in the New York Collection for Stockholm, 1973; NMG 571/1970 Love-Zone (Reels B + C), 1968; NMG 63/1969 St. Louis Symphony poster, 1968; NMG 60/1969-62/1969 Autobiography, 1968; NMG 64/1969 Homage to Frederick Kiesler, 1967; NMG 65/1969 Guardian, 1968; NMG 83/1969 Test Stone 7, 1967; NMG 322/1968 Storyline 1 (Reels B + C), 1968; NMG 98/1965 Prize, 1964; NMG 226a/1964-226b/1964 from One Cent Life, 1964. 2. Ruth E. Fine, »Writing on Rocks, Rubbing on Silk, Layering on Paper«, Robert Rauschenberg: A Retrospective, Guggenheim Museum, New York, 1997, p. 377. 3. Deborah Wye, Thinking Print: Books to Billboards, 1980-1985, The Museum of Modern Art, New York, 1996, p. 145. 4. »Speaking of Pictures: Blueprint paper, Sun Lamp, a Nude Produce some Vaporous Fantasies«, Life, No. 15, Vol. 30 (9 April 1951), p. 23. 5. Robert Rauschenberg: Prints 1948/1970, exh. cat., Minneapolis Institute of Arts, Minneapolis, 1970, n.p. 6. »Handlingar rörande utställningsverksamhet, Robert Rauschenberg: infernoillustrationerna 20/3 – 19/4, 1965«, Stockholm, Moderna Museet Archive. 7. The second show was Orozco: Studies for a Mural. 8. Accession Catalogue, 1965, Collections of Prints and Drawings, Nationalmuseum, Stockholm 9. Participating artists in One Cent Life: Reinhoud d'Haese, Jim Dine, Sam Francis, Alfred Jensen, Asger Jorn, Alfred Leslie, Joan Mitchell, Walasse Ting, Pierre Alechinsky, Jean-Paul Riopelle, James Rosenquist, Tom Wesselmann, Karel Appel, Enrico Baj, Alan Davie, Öyvind Fahlström, Robert Indiana, Allan Kaprow, O.K. (Francis) Kiki, Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, Antonio Saura, Kimber Smith, K.R.H Sonderborg, Bram van Velde, Andy Warhol. 10. Riva Castleman, A Century of Artists Books, The Museum of Modern Art, New York, 1995, pp. 40–41, 208–209 11. »The Shock of Freedom in Films«, Time Magazine, 8 December 1967 [electronic article] p. 2 of 10: http://www.time.com/time/magazine/article/0,9171,844256-2,00.html, accessed 21 January 2007. 12. »The shock of Freedom in Films«, p. 3. 13. Compare with Meret Oppenheim's X-ray of M.O.'s Skull, 1964. 14. Participating artists in the portfolio: Lee Bontecou, Robert Breer, John Chamberlain, Walter De Maria, Jim Dine, Mark Di Suvero, Öyvind Fahlström, Dan Flavin, Red Grooms, Hans Haacke, Alex Hay, Donald Judd, Ellsworth Kelly, Sol Lewitt, Roy Lichtenstein, Robert Morris, Louise Nevelson, Kenneth Noland, Claes Oldenburg, Nam June Paik, Robert Rauschenberg, Larry Rivers, James Rosenquist, George Segal, Richard Serra, Keith Sonnier, Richard Stankiewicz, Cy Twombly, Andy Warhol, Robert Whitman; The New York Collection For Stockholm Final Report, 12 August 1974, p. 3: Stockholm, Moderna Museet Archive, F1:68 A. 15. Document from Experiments in Art and Technology, 1 May 1973, dated by hand in the upper right corner 1/5-73: Stockholm, Moderna Museet Archive, F1:68 A. 16. Letter from Billy Klüver to Max Gold, 20 November 1974: Stockholm, Moderna Museet Archive, F1:68 A. 17. Stockholm, Moderna Museet Archive, F1:70 C. 18. The New York Collection For Stockholm Final Report, 12 August 1974, p. 3: Stockholm, Moderna Museet Archive, F1:68 A. 19. Document from Experiments in Art and Technology, 1 May 1973, dated by hand in the upper right corner 1/5–73: Stockholm, Moderna Museet Archive, F1:68 A. 20. Letter from Billy Klüver to Mr. Tom Andersson, 26 April 1973: Stockholm, Moderna Museet Archive, F1:68 A. 21. Mail correspondence between Annika Gunnarsson and Julie Martin 1 January 2007, Annika Gunnarssons's private letters. 22. Correspondence card: Stockholm, Moderna Museet Archive, F1:69 B; The New York Collection For Stockholm Final Report, 12 August 1974, p. 5: Stockholm, Moderna Museet Archive, F1:68 A. 23. Esther Sparks, Universal Limited: A History and Catalogue: The First Twenty-Five Years, The Art Institute of Chicago, Chicago, 1989. 24. Rosalind Krauss, »Rauschenberg and the Materialized Image«, in Joseph W. Brandon (ed.), Robert Rauschenberg, October, Files 4, MIT Press, Cambridge, Mass., 2002, p. 53. 25. William S. Lieberman, then curator of prints and drawings at the Museum of Modern Art New York, was one of the jury members, see Ruth E. Fine, 1997, p. 118, note 12. 26. Mailis Stensman, Torsten Renqvist, Stockholm, 2002, p. 116. 27. Stensman, 2002, p. 112ff.