Portal de Periódicos da CAPES

In Excess? Body Genres, “Bad” Music, and the Judgment of Audiences

2008; Wiley; Volume: 20; Issue: 3 Linguagem: Inglês

10.1111/j.1533-1598.2008.00160.x

1533-1598

Leslie M. Meier,

Social and Cultural Dynamics

Journal of Popular Music StudiesVolume 20, Issue 3 p. 240-260 In Excess? Body Genres, "Bad" Music, and the Judgment of Audiences Leslie M. Meier, Leslie M. Meier The University of Western OntarioSearch for more papers by this author Leslie M. Meier, Leslie M. Meier The University of Western OntarioSearch for more papers by this author First published: 08 September 2008 https://doi.org/10.1111/j.1533-1598.2008.00160.xCitations: 10Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Aizlewood, John, et al. Run for your Life! It's the 50 Worst Songs Ever! Blender, 27 April 2004. Available online at . Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge , MA : Harvard UP, 1984. Coates, Norma. (R)evolution Now? Rock and the Political Potential of Gender. Sexing the Groove: Popular Music and Gender. Ed. Sheila Whitely. New York : Routledge, 1997. 50–64. Coates, Norma. Teenyboppers, Groupies, and Other Grotesques: Girls and Women and Rock Culture in the 1960s and early 1970s. Journal of Popular Music Studies 15.1 (2003): 65–94. Fornäs, Johan. The Future of Rock: Discourses that Struggle to Define a Genre. Popular Music 14.1 (1995): 111–25. Fox, Aaron A. White Trash Alchemies of the Abject Sublime: Country as 'Bad' Music. Bad Music: The Music We Love to Hate. Ed. Christopher J. Washburne and Maiken Derno. New York : Routledge, 2004. 39–61. Frith, Simon. Youth, Leisure, and the Politics of Rock 'n' Roll. New York : Pantheon, 1981. Frith, Simon. What is Bad Music? Bad Music: The Music We Love to Hate. Ed. Christopher J. Washburne and Maiken Derno. New York : Routledge, 2004. 14–36. Hawkins, Stan. Dragging Out Camp: Narrative Agendas in Madonna's Musical Production. Madonna's Drowned World: New Approaches to her Cultural Transformation 1983–2003. Ed. Santiago Fouz-Hernández and Freya Jarman-Ivens. Burlington , VT : Ashgate Publishing, 2004. 3–21. Herr, Corinna. Where is the Female Body? Androgyny and Other Strategies of Disappearance in Madonna's Music Videos. Madonna's Drowned World: New Approaches to her Cultural Transformation 1983–2003. Ed. Santiago Fouz-Hernández and Freya Jarman-Ivens. Burlington , VT : Ashgate Publishing, 2004. 36–52. Kahn-Harris, Keith. Death Metal and the Limits of Musical Expression. Policing Pop. Ed. Martin Cloonan and Reebee Garofalo. Philadelphia, PA : Temple U P, 2003. 81–99. Keightley, Keir. Reconsidering Rock. The Cambridge Companion to Pop and Rock. Ed. Simon Frith, Will Straw, and John Street. New York : Cambridge UP, 2000. 109–42. Lee, Tommy, Vince Neil, Mick Mars, and Nikki Sixx, with Neil Strauss. The Dirt: Confessions of the World's Most Notorious Rock Band. New York : Regan Books, 2001. Lusane, Clarence. Rap, Race, and Politics. That's The Joint! The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York : Routledge, 2004. 351–62. Madonna and Steven Meisel. Sex. Ed. Glenn O'Brien. New York : Warner Books, 1992. Marshall, P. David. Celebrity and Power: Fame in Contemporary Culture. Minneapolis , MN : U of Minnesota P, 1997. Moore, Allan Authenticity as Authentication" [Electronic version]. Popular Music 21.2 (2002): 209–23. Pisters, Patricia. Madonna's Girls in the Mix: Performance of Femininity beyond the Beautiful. Madonna's Drowned World: New Approaches to her Cultural Transformation 1983—2003. Ed. Santiago Fouz-Hernández and Freya Jarman-Ivens. Burlington , VT : Ashgate Publishing, 2004. 22–35. Record Labeling: Hearing before the Committee on Commerce, Science, and Transportation. By John C. Danforth, Chairman. Washington , DC : U.S. Government Printing Office, 1985. Samuels, David. The Rap on Rap: The 'Black Music' that Isn't Either. That's The Joint! The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York : Routledge, 2004. 147–53. Stallybrass, Peter, and Allon White. The Politics and Poetics of Transgression. London : Methuen, 1986. Stephens, Vincent. Pop Goes the Rapper: A Close Reading of Eminem's Genderphobia. Popular Music 24.1 (2005): 21–36. Thornton, Sarah. Club Cultures: Music, Media and Subcultural Capital. Cambridge : Polity P, 1995. Washburne, Christopher J., and Maiken Derno. "Introduction. Bad Music: The Music We Love to Hate. Ed. Christopher J. Washburne and Maiken Derno. New York : Routledge, 2004. 1–14. Watts, Eric K. An Exploration of Spectacular Consumption: Gangsta Rap as Cultural Commodity. That's The Joint! The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York : Routledge, 2004. 593–609. Williams, Linda. Film Bodies: Gender, Genre and Excess. Film Quarterly 44.4 (1991): 2–13. Wilson, Carl. Let's Talk About Love: A Journey to the End of Taste (33 1/3). New York : Continuum, 2007. Select Discography Mötley Crüe. Girls, Girls, Girls. Elektra , 1987. Mötley Crüe. Generation Swine. Hip-O Records, 2003 (re-mastered edition). Citing Literature Volume20, Issue3September 2008Pages 240-260 ReferencesRelatedInformation