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“What you looking at me for? I didn’t come to stay”: Displacement, Disruption and Black Female Subjectivity in Maya Angelou’s I Know Why the Caged Bird Sings

2005; Taylor & Francis; Volume: 34; Issue: 5 Linguagem: Inglês

10.1080/00497870590964011

1547-7045

Yolanda M. Manora,

Music History and Culture

If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult. The first volume of Maya Angel...