The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound
2003; Wiley; Volume: 15; Issue: 1 Linguagem: Inglês
10.1111/j.1533-1598.2003.tb00114.x
ISSN1533-1598
Autores Tópico(s)Diverse Musicological Studies
ResumoJournal of Popular Music StudiesVolume 15, Issue 1 p. 34-64 The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound Jeremy Wallach, Jeremy Wallach Bowling Green State UniversitySearch for more papers by this author Jeremy Wallach, Jeremy Wallach Bowling Green State UniversitySearch for more papers by this author First published: 29 June 2007 https://doi.org/10.1111/j.1533-1598.2003.tb00114.xCitations: 21AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited • Attali, Jacques. 1985. 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