Boogie Opera: Eddie, Douzi, and Artistic Convention
2000; Wiley; Volume: 33; Issue: 4 Linguagem: Italiano
10.1111/j.0022-3840.2000.3304_101.x
ISSN1540-5931
Autores Tópico(s)Music History and Culture
ResumoThe Journal of Popular CultureVolume 33, Issue 4 p. 101-121 Boogie Opera: Eddie, Douzi, and Artistic Convention Tom Simmons, Tom Simmons 1Tom Simmons is an attorney in Rapid City, South Dakota.Search for more papers by this author 1 Tom Simmons, Tom Simmons 1Tom Simmons is an attorney in Rapid City, South Dakota.Search for more papers by this author 1 First published: 05 March 2004 https://doi.org/10.1111/j.0022-3840.2000.3304_101.xAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works cited Boogie Nights. Dir. Paul Thomas Anderson. Perf. Mark Wahlberg, Julianne Moore, and Burt Reynolds. New Line Cinema, 1997. Chang Pe-Chin. Chinese Opera and Painted Face. New York : Drama Book Specialists, 1969. Cheng, Chung-ying. Chinese Metaphysics as Non-Metaphysics: Confucian and Daoist Insights into Nature. Understanding the Chinese Mind: The Philosophical Roots. Ed. Robert E. Allinson. Hong Kong : Oxford UP, 1989. Confucius. Analects of Confucius. Trans. Arthur Waley. London : George Allen and Unwin Ltd., 1938. Denby, David. Rude Mechanicals. New York 20 Oct. 1997: 54, 70. Di Lauro, Al, and Gerald Rabkin. Dirty Movies: An Illustrated History of the Stag Film, 1915-1970. New York : Chelsea House, 1976. Durant, Will. The Story of Philosophy. New York : Simon & Schuster, 1961. Farewell My Concubine. Dir. Chen Kaige. Perf. Leslie Cheung, Zhang Fengyi, and Gong Li. Miramax Films, 1993. Feng, Mei. Yishu he Shengming de Chonghe” [An Integration of Life and Art—An Interview With Chen Kaige]. Dazhong Dianying [Popular Cinema] 4 (1995): 30–31. Grenier, Richard. Enter the Chinese. Commentary May 1994: 49–52. Hall, David L., and Robert T. Ames. Understanding Order: The Chinese Perspective. From Africa to Zen: An Invitation to World Philosophy. Ed. Robert C. Solomon and Kathleen M. Higgins. Lanham, MD : Rowman and Littlefield Publishers, Inc., 1993. Hofler, Robert. Porn in the USA. The Advocate 14 Oct. 1997: 119–20. Knight, Frank H. Economics, Political Science, and Education. Freedom and Reform: Essays in Economics and Social Philosophy. New York : Harper and Brothers, 1947. Lanfang, Mei. My Life in the Opera. Peking Opera and Mei Lanfang. Ed. Joy Hendry, Huang Zuolin, and Mei Shaowu. Beijing : New World P, 1980. 14–41. Lao, Tzu. A Translation of Lao Tzu's Tao Te Ching and Wang Pi's Commentary. Trans. Paul J. Lin. Ann Arbor : Center for Chinese Studies, U of Michigan P, 1977. Lau, Jenny Kwok Wah. Farewell My Concubine: History, Melodrama, and Ideology in Contemporary Pan-Chinese Cinema.” Film QuarterlyFall 1995. Lovelace, Linda. Ordeal. Secaucus, NJ : Citadel Press, 1980. Lovrick, Peter, and Sui Wang-Ngai. Chinese Opera: Images and Stories. Vancouver : UBC P, 1997. Mao Tse-Tung. Selected Works of Mao Tse-Tung. 4 vols. London : Lawrence and Wishart Ltd., 1954. Mark, Marky, and the Funky Bunch. Music for the People. Warner Brothers Music Corp., 1991. Michelson, Peter. The Aesthetics of Pornography. New York : Herder and Herder, 1971. Pian, Rulan Chao Arial Structural Patterns in the Peking Opera. Chinese and Japanese Music-Dramas. Ed. J. I. Crump and William P. Malm. Ann Arbor : Center for Chinese Studies, U of Michigan, 1975. Slade, Joseph W. The Porn Market and Porn Formulas: The Feature Films of the Seventies. Journal of Popular Film 2 (1977): 168–86. Smith, John E. Interpreting Across Boundaries. Understanding the Chinese Mind: The Philosophical Roots. Ed. Robert E. Allinson. Hong Kong : Oxford UP, 1989. Susman, Gary. Boogie Man. Village Voice 14 Oct. 1997: 90. Turan, Kenneth, and Stephen F. Zito. Sinema: American Pornographic Films and the People Who Make Them. New York : Praeger Publishers, 1974. Whitman, Walt. Leaves of Grass. Ed. Sculley Bradley and Harold W. Blodgett. New York : W. W. Norton and Co., Inc., 1973. Wilde, Oscar. The Soul of Man Under Socialism. The Works of Oscar Wilde. Ed. G. F. Maine. New York : E. P. Dutton and Co., Inc., 1954. Williams, Linda. Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” Berkley : U of California P, 1989. Zha, Jianying. Chen Kaige and the Shadows of the Revolution. Sight and Sound 4 (1994): 28–36. Ziplow, Stephen. The Film Maker's Guide to Pornography. New York : Drake, 1977. Zuguang, Wu. Peking Opera and Its Great Master Mei Lanfang. Peking Opera and Mei Lanfang. Ed. Joy Hendry, Huang Zuolin, and Mei Shaowu. Bejing : New World P, 1980. 1–13. Zung, Cecilia S. L. Secrets of the Chinese Opera. London : George G. Harrap & Co. Ltd., 1937. Volume33, Issue4Spring 2000Pages 101-121 ReferencesRelatedInformation
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