Portal de Periódicos da CAPES

Josquin Desprez and His Milanese Patrons

1994; University of California Press; Volume: 12; Issue: 4 Linguagem: Inglês

10.2307/763971

1533-8347

Lora Matthews, Paul Merkley,

Historical and Archaeological Studies

SPrevious studies of music in Milan in the 1470s include Giulio Porro, Lettere di Galeazzo Sforza Duca di Archivio storico lombardo (1878), 10o7-29, 254-74, 637-68; Emilio Motta, Musicisti alla corte degli Archivio storico lombardo XIV (1887), 29-64, 278-340, and 514-61 (rpt. Geneva, 1977); Claudio Sartori, des PrOs Cantore del Duomo di Milano (1459-72), Annales musicologiques IV (1956), 55-83; Gaetano Cesari, e musicisti alla corte sforzesca, in Francesco Malaguzzi Valeri, ed., corte di Ludovico il Moro IV (Milan, 1923), 183-254; Guglielmo Barblan, Vita musicale alla corte sforzesca, in Storia di Milano IX (Milan, 1961), 183-254; Claudio Sartori, La musica nel Duomo dalle origini a Franchino Gaffurio, in ibid., 723-48; Helmuth Osthoff, Josquin Desprez (Tutzing, 1962-65), 2 vols.; Edward E. Lowinsky, des Prez and Congresso Internazionale sul Duomo di Milano, Atti, ed. Maria Luisa Gatti Perer, 2 vols. (Milan, 1969); Edward E. Lowinsky, Ascanio Sforza's life: a key to Josquin's biography and an aid to the chronology of his works, in Josquin des Prez: Proceedings, 1971, ed. Lowinsky and Bonnie Blackburn (Oxford, 1976); and William F. Prizer, Music at the Court of the Sforza: The Birth and Death of a Musical Center, Musica Disciplina XLIII (1989), 141-93. The authors of this article have increased the amount of documentary evidence significantly since the publication of these works. For other valuable historical studies, see Peter Burke, The Italian Renaissance: Culture and Society in Italy (Princeton, 1986); Michele Ansani, La provvista dei benefici (1450-1466): Strumenti e limiti dell'intervento ducale, in Giorgio Chittolini, ed., Gli Sforza, la Chiesa lombarda, la corte di Roma (Napoli, 1989), 1-113; and Gregory Lubkin, A Renaissance Court: Milan under Galeazzo Maria Sforza (Berkeley, 1994). 2 Milan, Archivio della Veneranda Fabbrica del Duomo, Liber beretinus, dati et recepti, Registro 250, years 1459-62, f. 39, entry dated 7 August 1459, and a corroborative entry in the Liber mandatorum, Registro 6o9, f. 48, also dated 7 August 1459, published in Claudio Sartori, des PrOs Cantore del Duomo di Milano (145972), Annales musicologiques IV (1956), 57. See Sartori, pp. 59-63 for a summary of payments made to Iuschinus. The singer was to be paid from the beginning of July, 1459.