Toward a Hindu Theory of Creativity
1970; Wiley; Volume: 20; Issue: 4 Linguagem: Inglês
10.1111/j.1741-5446.1970.tb00482.x
ISSN1741-5446
Autores Tópico(s)Indian and Buddhist Studies
ResumoEducational TheoryVolume 20, Issue 4 p. 368-376 Toward a Hindu Theory of Creativity RALPH J. HALLMAN, RALPH J. HALLMAN Professor and Chairman of the Social Sciences Division at Pasadena City College, Pasadena, California.Search for more papers by this author RALPH J. HALLMAN, RALPH J. HALLMAN Professor and Chairman of the Social Sciences Division at Pasadena City College, Pasadena, California.Search for more papers by this author First published: October 1970 https://doi.org/10.1111/j.1741-5446.1970.tb00482.xCitations: 13Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat BIBLIOGRAPHY 1 Anand, Mulk-Raj. The Hindu View of Art. London : Allen and Unwin, 1933. 2 Banerjca, J. N. The Development of Hindu Iconography. Calcutta : University of Cal cutta Press, 1941. 3 Battacharya, Benoytosh. The Indian Buddhist Iconography. London : Oxford, 1924. 4 Binyon, L. Spirit of Man in Asian Art. Cambridge , Mass. : Harvard University Press, 1935. 5 Bose, P. N. Principles of Indian Silpashastra. Lahore, 1926. 6 Chaudhury, Pravasjivan. Studies in Comparative Aesthetics. Santiniketan : Santiniketan Press, 1953. 7 Coomaraswamy, Ananda K. The Transformation of Nature in Art. 8 Coomaraswamy, Ananda K. The Dance of Shiva. New York : The Sunwise Turn, 1924. 9 Coomaraswamy, Ananda K. Figures of Speech or Figures of Thought? London : Luzac & Co., 1946. 10 Coomaraswamy, Ananda K. Elements of Hindu Iconography. Cambridge , Mass. : Harvard University Press, 1935. 11 Coomaraswamy, Ananda K. Aesthetics of the Sukraniti. Paris : Melanges Linnoissier, 1932. 12 De, S. K. Studies in the History of Sanskrit Poetics, Calcutta, 1919. 13 De, S. K. Sanskrit Poetics, 2 Vols. London : Logos & Co., 1923. 14 Dhanamjaya. Dasrupa. Translated by C. O. Haas. New York : Columbia Press, 1912. 15 Guenon, Rene. Introduction to the Study of Hindu Doctrines. Transl. by Marco Pallis. London , 1945. 16 Goetz, H. “The Relation Between Indian Painting and Culture,” Bulletin, School of Oriental Studies, III, 4, London , 1925. 17 Havell, E. B. “The Mathematical Basis of Indian Iconography,” Rupam, Vol. XXIX, 1927. 18 Havell, E. B. The Ideals of Indian Art. London : Logos & Co., 1911. 19 K. B. Iyer (ed.) Art and Thought. London : Luzac & Co., 1947. 20 Keith, A. B. The Sanskrit Drama in Its Origin, Development, Theory and Practice. London : Oxford, 1924. 21 Stella Kramrisch, (ed.) Visnudharmottaram. Calcutta. 1924. 22 Macdonnel, A. A. “History of Hindu Iconography,” Rupam, No. 4, 1920. 23 Masson-Oursel, “L'Ésthetique indiènne,” Revue de Metaphysique et de Morale, July, 1936. 24 Masson-Oursel. “Une Connéxion dans I'Éthetique et la Philosphie d'Inde,” Revue des Arts asiatiques, II, 1925. 25 Mukerji, S. C. Le Rasa, Essai sur I'Esthetique indienne. Paris. 1928. 26 Pandey, K. C. Comparative Aesthetics, Vol. 1: Indian Aesthetics. Benares : Benares Hindu University Press, 1950. 27 Pillai, Govinda Krishna. The Way of the Silpis, The Hindu Approach to Art and Science. Allahabad : The Indian Press, 1948. 28 Radhakrishnan, S. Indian Philosophy. Two Vol. London : Allen and Unwin, 1927 1948. 29 Rakesagupta. Psychological Studies in Rasa. Benares : Benares Hindu University Press, 1950. 30 Rao, T. A. G. Elements of Hindu Iconography. Four Vols. Madras : The Law Printing House, 1914. 31 Venkata, Rao. “Aesthetics in India,” Aryan Path, IV, 1933. 32 Visvanatha. Sahityadarpana. Translated by Ballantyne and Mitra. Calcutta , 1875. 33 Zimmer, Heinrich. Kunstform und Yoga im indischen Kultbild. Berlin, 1926. 34 Zimmer, Heinrich. “Some Aspects of Time in Indian Art,” Journal of Indian Society of Oriental Art, I, 1933. 35 Zimmer, Heinrich. Philosophies of India. Edited by Joseph Campbell. New York : Bollingen Series XXVI, Pantheon Books, 1951. Citing Literature Volume20, Issue4October 1970Pages 368-376 ReferencesRelatedInformation
Referência(s)