Artigo Revisado por pares

The Glacier, the Rock, the Image: Emotional Experience and Semiotic Diversity at the Quyllurit’i Pilgrimage (Cuzco, Peru)

2014; University of Chicago Press; Volume: 2; Issue: S1 Linguagem: Inglês

10.1086/674324

ISSN

2326-4497

Autores

Guillermo Salas Carreño,

Tópico(s)

Media, Religion, Digital Communication

Resumo

The Quyllurit’i (Shining Snow) pilgrimage is the most important of the Southern Peruvian Andes. The shrine is located at the bottom of a glacier and currently attracts all the sociocultural diversity present in the regional society of Cuzco. During the main days of the pilgrimage this usually quiet place is inundated by innumerable groups of musicians and dancers and by tens of thousands of pilgrims. These particularities also attract foreign New Age pilgrims, as well as researchers and film crews. I claim, discussing Durkheim’s elaboration on “collective effervescence,” that the strong emotional experiences of the pilgrimage are functional to the reproduction of coexisting heterogeneous ways to experience and understand the pilgrimage. Most pilgrims are vocal in expressing their experience of transcendence in Quyllurit’i, though they have different ideas about who the transcendent agents addressed by the rituals are, what their relation to the materiality of the shrine is, and how to recognize their agency. The article analyzes the different ways in which New Age pilgrims, Catholic priests, and pilgrims of a highland Quechua community frame and experience the pilgrimage through different assumptions about the nature of society and how signs function in the world.

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