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Blackface, White Noise: The Jewish Jazz Singer Finds His Voice

1992; University of Chicago Press; Volume: 18; Issue: 3 Linguagem: Inglês

10.1086/448640

1539-7858

Michael Rogin,

South Asian Cinema and Culture

Previous articleNext article No AccessBlackface, White Noise: The Jewish Jazz Singer Finds His VoiceMichael RoginMichael RoginPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 18, Number 3Spring, 1992 Article DOIhttps://doi.org/10.1086/448640 Views: 296Total views on this site Citations: 125Citations are reported from Crossref Copyright 1992 The University of ChicagoPDF download Crossref reports the following articles citing this article:Michael Joel Bartelle Review of Shakespeare's Othello (Directed by Iqbal Khan for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, June 2015. 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ROGIN'S NOISE: THE ALLEGED HISTORICA CRIMES OF THE JAZZ SINGER : BLACKFACE, WHITE NOISE: JEWISH IMMIGRANTS IN THE HOLLYWOOD MELTING POT. BERKELEY AND LOS ANGELES: UNIVERSITY OF CALIFORNIA PRESS, 1996., Prooftexts: A Journal of Jewish Literary History 22, no.1-21-2 (Jan 2002): 221–239.https://doi.org/10.2979/PFT.2002.22.1-2.221 Inrage, (Jan 2000): 11–27.https://doi.org/10.1215/9780822380504-002 Nectarines, (Jan 2000): 28–49.https://doi.org/10.1215/9780822380504-003 Analytic of the Ridiculous, (Jan 2000): 50–67.https://doi.org/10.1215/9780822380504-004 Journey to the End of the Night, (Jan 2000): 68–82.https://doi.org/10.1215/9780822380504-005 Scatology, (Jan 2000): 83–103.https://doi.org/10.1215/9780822380504-006 Skirting, Kidding, (Jan 2000): 104–123.https://doi.org/10.1215/9780822380504-007 Notes, (Jan 2000): 125–137.https://doi.org/10.1215/9780822380504-008 Works Cited, (Jan 2000): 139–143.https://doi.org/10.1215/9780822380504-009Nicola Evans Games of hide and seek: Race, gender and drag in the crying game and the birdcage, Text and Performance Quarterly 18, no.33 (Jul 1998): 199–216.https://doi.org/10.1080/10462939809366224 Introduction, (Jan 1998): 1–6.https://doi.org/10.1215/9780822382492-001 Objects of Property and Subjects of Politics, (Jan 1998): 41–87.https://doi.org/10.1215/9780822382492-002 Author(iz)ing the Celebrity, (Jan 1998): 88–129.https://doi.org/10.1215/9780822382492-003 Tactics of Appropriation and the Politics of Recognition, (Jan 1998): 130–165.https://doi.org/10.1215/9780822382492-004 Embodied Trademarks, (Jan 1998): 166–207.https://doi.org/10.1215/9780822382492-005 The Properties of Culture and the Politics of Possessing Identity, (Jan 1998): 208–247.https://doi.org/10.1215/9780822382492-006 Dialogic Democracy I, (Jan 1998): 248–272.https://doi.org/10.1215/9780822382492-007 Dialogic Democracy II, (Jan 1998): 273–299.https://doi.org/10.1215/9780822382492-008 Notes, (Jan 1998): 301–397.https://doi.org/10.1215/9780822382492-009 References, (Jan 1998): 398–443.https://doi.org/10.1215/9780822382492-010Kyeyoung Park Use and Abuse of Race and Culture: Black-Korean Tension in America, American Anthropologist 98, no.33 (Oct 2009): 492–499.https://doi.org/10.1525/aa.1996.98.3.02a00030 Mark McGurl Making It Big: Picturing the Radio Age in "King Kong", Critical Inquiry 22, no.33 (Oct 2015): 415–445.https://doi.org/10.1086/448800 Canon, Institutionalization, Identity, (Jan 1996): 37–59.https://doi.org/10.1215/9780822379010-002 Heterogeneity, Hybridity, Multiplicity, (Jan 1996): 60–83.https://doi.org/10.1215/9780822379010-003 Imagining Los Angeles in the Production of Multiculturalism, (Jan 1996): 84–96.https://doi.org/10.1215/9780822379010-004 Decolonization, Displacement, Disidentification, (Jan 1996): 97–127.https://doi.org/10.1215/9780822379010-005 Unfaithful to the Original, (Jan 1996): 128–153.https://doi.org/10.1215/9780822379010-006 Work, Immigration, Gender, (Jan 1996): 154–173.https://doi.org/10.1215/9780822379010-007 Epilogue, (Jan 1996): 174–176.https://doi.org/10.1215/9780822379010-008 Notes, (Jan 1996): 177–222.https://doi.org/10.1215/9780822379010-009 Bibliography, (Jan 1996): 223–240.https://doi.org/10.1215/9780822379010-010Marion Rust The Subaltern as Imperialist, (Jan 1996): 21–36.https://doi.org/10.1215/9780822382027-002Ellen M. Weinauer "A Most Respectable Looking Gentleman", (Jan 1996): 37–56.https://doi.org/10.1215/9780822382027-003Samira Kawash The Autobiography of an Ex-Coloured Man, (Jan 1996): 59–74.https://doi.org/10.1215/9780822382027-004Martha J. Cutter Sliding Significations, (Jan 1996): 75–100.https://doi.org/10.1215/9780822382027-005Katharine Nicholson Ings Blackness and the Literary Imagination, (Jan 1996): 131–150.https://doi.org/10.1215/9780822382027-007Gayle Wald "A Most Disagreeable Mirror", (Jan 1996): 151–177.https://doi.org/10.1215/9780822382027-008Elizabeth Young Confederate Counterfeit, (Jan 1996): 181–217.https://doi.org/10.1215/9780822382027-009Valerie Rohy Displacing Desire, (Jan 1996): 218–233.https://doi.org/10.1215/9780822382027-010Adrian Piper Passing for White, Passing for Black, (Jan 1996): 234–269.https://doi.org/10.1215/9780822382027-011 Works Cited, (Jan 1996): 271–284.https://doi.org/10.1215/9780822382027-012Julia Stern Spanish Masquerade and the Drama of Racial Identity in Uncle Tom's Cabin, (Jan 1996): 103–130.https://doi.org/10.1215/9780822382027-006Elaine K. Ginsberg Introduction, (Jan 1996): 1–18.https://doi.org/10.1215/9780822382027-001Jacqueline Stevens, Rogers Smith Beyond Tocqueville, Please!, American Political Science Review 89, no.44 (Sep 2013): 987–995.https://doi.org/10.2307/2082522Marsha Siefert Image/Music/Voice: Song Dubbing in Hollywood Musicals, Journal of Communication 45, no.22 (Feb 2006): 44–64.https://doi.org/10.1111/j.1460-2466.1995.tb00727.xGwen Bergner Who Is That Masked Woman? Or, the Role of Gender in Fanon's Black Skin, White Masks, PMLA 110, no.11 (Jan 1995): 75.https://doi.org/10.2307/463196Peter Digeser Performativity Trouble: Postmodern Feminism and Essential Subjects, Political Research Quarterly 47, no.33 (Jul 2016): 655–673.https://doi.org/10.1177/106591299404700305David Roediger Race and the Working-Class Past in the United States: Multiple Identities and the Future of Labor History, International Review of Social History 38, no.S1S1 (Feb 2009): 127–143.https://doi.org/10.1017/S0020859000112337