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Comic Theory from a Feminist Perspective: A Look at Jerry Lewis

1993; Wiley; Volume: 27; Issue: 1 Linguagem: Inglês

10.1111/j.0022-3840.1993.194466178741.x

1540-5931

Joanna E. Rapf,

Comics and Graphic Narratives

The Journal of Popular CultureVolume 27, Issue 1 p. 191-204 Comic Theory from a Feminist Perspective: A Look at Jerry Lewis Joanna E. Rapf, Joanna E. Rapf Joanna E. Rapf is Film Studies Coordinator, University of Oklahoma, Norman, OK 73019.Search for more papers by this author Joanna E. Rapf, Joanna E. Rapf Joanna E. Rapf is Film Studies Coordinator, University of Oklahoma, Norman, OK 73019.Search for more papers by this author First published: Summer 1993 https://doi.org/10.1111/j.0022-3840.1993.194466178741.xCitations: 1AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Altman, Rick. Toward a Theory of the Genre Film. Film Studies Annual. NS 2 (1977). Bazin, Andre. What is Cinema? Vol. 1. Berkeley : U of California P, 1967. Bergson, Henri. Le rire. Paris : Ancienne Librairie Germer Baillére & Cie, 1901. Bukatman, Scott. Paralysis in Motion: Jerry Lewis's Life as a Man. Camera Obscura. 17 (May 1988). Citron, Michelle, et al. Women and Film: A Discussion of Feminist Aesthetics. New German Critique. 13 (1978). Robert W. Corrigan ed. Comedy: Meaning and Form. 2nd ed. New York : Harper & Row, 1981. Desjardins, Mary. (Re)Presenting the Female Body. Quarterly Review of Film & Video. 2 (1989). Durgnat, Raymond. The Crazy Mirror: Hollywood and the American Image. New York : Delta, 1972. Freud, Sigmund. Humour,"in The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. XXI. London : The Hogarth P, 1964. Haskell, Molly. Women and the Silent Comedians."in Movie Comedy. Eds. Stuart Byron and Elisabeth Weiss. New York : Penguin Books, 1977. Paul Hammond, ed. The Shadow and its Shadow: Surrealist Writings on Cinema. London : British Film Institute, 1978. Andrew S. Horton, ed. Comedy/Cinema/Theory. Berkeley : U of California P, 1991. Johnston, Claire. Women's Cinema as Counter-Cinema."Rpt. in Movies and Methods. Ed. Bill Nichols. Berkeley : U of California P, 1976. Kaplan, E. Ann. Women and Film: Both Sides of the Camera. New York : Methuen, 1983. Kyrou, Ado. Le Surréalisme au Cinéma. Paris : Édition Mise á Jour, 1963. Lewis, Jerry. The Total Film-maker. New York : Random House, 1971. Matthews, J. H. Surrealism and Film. Ann Arbor : U of Michigan P, 1971. Martin, Linda and Kerry Segrave. Women in Comedy. Secaucus, New Jersey : Citadel P, 1986. Mellencamp, Patricia. Situation Comedy, Feminism, and Freud: Discourses of Gracie and Lucy,"in Studies in Entertainment: Critical Approaches to Mass Culture. Ed. Tania Modleski. Bloomington and Indianapolis : Indiana UP, 1986. Mulvey, Laura. Visual and Other Pleasures. Bloomington and Indianapolis : Indiana UP, 1989. Seidman, Steve. Comedian Comedy: A Tradition in Hollywood Film. Ann Arbor , Michigan : UMI Research P, 1981. Studlar, Gayln. Masochism and the Perverse Pleasures of the Cinema. Quarterly Review of Film Studies. 9.4 (1984). Janet Todd, ed. Women and Film. New York : Holmes & Meier, 1988. Waldman, Diane. Film Theory and the Gendered Spectator: The Female or the Feminist Reader? Camera Obscura. 18 (September 1988). Welsch, Janice R. Introduction: Feminist Film Criticism. Film Criticism. 13.2 (1989). Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. Urbana : U of Illinois P, 1981. Citing Literature Volume27, Issue1Summer 1993Pages 191-204 ReferencesRelatedInformation