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John Gay's 'The Beggar's Opera' 1728-2004: Adaptations and Re-Writings

2008; Modern Humanities Research Association; Volume: 103; Issue: 2 Linguagem: Inglês

10.2307/20467793

2222-4319

Laura Bradley, John Gay, Uwe Böker, Ines Detmers, Anna-Christina Giovanopoulos,

Theater, Performance, and Music History

Calendar of Important Adaptations and Re-Writings 1920-2004 Uwe BOKER, Ines DETMERS and Anna-Christina GIOVANOPOULOS: From Gay to Brecht and Beyond: Imitation and Re-Writing of The Beggar's Opera - 1728 to 2004 Uwe BOKER: John Gays The Beggar's Opera und die sozialhistorischen Kontexte: Satire, Kriminalitat, Ballade, Oper, Kommerzialisierung Ian GALLAGHER: The Beggar's Opera and its Criminal Law Context Horst HOHNE: Die Fortsetzung der Beggar's Opera: Polly (1728) Anna-Christina GIOVANOPOULOS: Robert Walpole und Jonathan Wild: Die satirischen Bezugspersonen von John Gays The Beggar's Opera Frank ENGELMANN: A Late Eighteenth-Century Ballad Opera and John Wilkes: The Bow-Street Opera (1773) Klaus SCHUHMACHER: Ekstasen der Sachlichkeit: Zur Dreigroschenoper (1928) von Bertolt Brecht und Kurt Weill Uwe BOKER: John Gays The Beggar's Opera und Vaclav Havels Zebracka opera (1975) Wumi RAJI: Opera Wonyosi (1977): Strategies of a Postcolonial Response to a Western Operatic Drama Kathrin SARTINGEN: Rewriting als produktive Differenz: Chico Buarque de Hollandas Opera do Malandro (1978) als brasilianische Wiederkehr von John Gays The Beggar's Opera Christoph Oliver MAYER: Italiens Spassmacher schlagt wieder zu: Dario Fos L'opera dello sghignazzo (1981) als provokatives Rewriting der Bettleroper Anja MULLER: Alan Ayckbourn's Beggar's Opera as A Chorus of Disapproval (1984) Contributors