The Returns of "Cleopatra Jones"
1999; University of Chicago Press; Volume: 25; Issue: 1 Linguagem: Inglês
10.1086/495415
ISSN1545-6943
Autores Tópico(s)Philosophy and Social Theory
ResumoPrevious articleNext article No AccessThe Returns of "Cleopatra Jones"Jennifer DeVere BrodyJennifer DeVere BrodyPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Signs Volume 25, Number 1Autumn, 1999 Article DOIhttps://doi.org/10.1086/495415 Views: 28Total views on this site Citations: 32Citations are reported from Crossref Copyright 1999 The University of ChicagoPDF download Crossref reports the following articles citing this article:Carlie Todd Brigman Award Winner: Foxy Ladies and Badass Super Agents: Legacies of 1970s Blaxploitation Spy and Detective Heroines, The Journal of Popular Culture 55, no.11 (Feb 2022): 244–268.https://doi.org/10.1111/jpcu.13107André Carrington From blaxploitation to fan service: watching Wakanda, Safundi 20, no.11 (Jan 2019): 5–8.https://doi.org/10.1080/17533171.2019.1552350Shoniqua Roach Black pussy power: Performing acts of black eroticism in Pam Grier's Blaxploitation films, Feminist Theory 19, no.11 (Dec 2017): 7–22.https://doi.org/10.1177/1464700117742866Jean-Anne Sutherland, Kathryn M. Feltey Here's looking at her: an intersectional analysis of women, power and feminism in film, Journal of Gender Studies 26, no.66 (Mar 2016): 618–631.https://doi.org/10.1080/09589236.2016.1152956 Introduction, (Jan 2014): 1–26.https://doi.org/10.1215/9780822377030-001 Archives of Pain, (Jan 2014): 27–58.https://doi.org/10.1215/9780822377030-002 Speaking Sex/Speaking Race, (Jan 2014): 59–82.https://doi.org/10.1215/9780822377030-003 Race-Pleasures, (Jan 2014): 83–106.https://doi.org/10.1215/9780822377030-004 Laughing Matters, (Jan 2014): 107–127.https://doi.org/10.1215/9780822377030-005 On Refusal, (Jan 2014): 128–145.https://doi.org/10.1215/9780822377030-006 Conclusion, (Jan 2014): 146–151.https://doi.org/10.1215/9780822377030-007 Notes, (Jan 2014): 153–179.https://doi.org/10.1215/9780822377030-008 Bibliography, (Jan 2014): 181–211.https://doi.org/10.1215/9780822377030-009Melissa DeAnn Seifert, Stefano Odorico, Aidan Power Who's got the "Reel" power? The problem of female antagonisms in blaxploitation cinema, Alphaville: Journal of Film and Screen Media , no.44 (Dec 2012): 4–20.https://doi.org/10.33178/alpha.4.01 The Image of Common Sense, (Jan 2007): 11–26.https://doi.org/10.1215/9780822390145-002 In the Interval, (Jan 2007): 27–44.https://doi.org/10.1215/9780822390145-003 "In Order to Move Forward", (Jan 2007): 45–67.https://doi.org/10.1215/9780822390145-004 "We'll Just Have to Get Guns and Be Men", (Jan 2007): 68–94.https://doi.org/10.1215/9780822390145-005 "A Black Belt in Bar Stool", (Jan 2007): 95–117.https://doi.org/10.1215/9780822390145-006 "What's Up with That? She Don't Talk?", (Jan 2007): 118–137.https://doi.org/10.1215/9780822390145-007 Reflections on the Black Femme's Role in the (Re)production of Cinematic Reality, (Jan 2007): 138–158.https://doi.org/10.1215/9780822390145-008 Notes, (Jan 2007): 159–194.https://doi.org/10.1215/9780822390145-009 Bibliography, (Jan 2007): 195–202.https://doi.org/10.1215/9780822390145-010 Introduction, (Jan 2004): 1–39.https://doi.org/10.1215/9780822386315-001 "A Veritable He-Nigger after All", (Jan 2004): 41–84.https://doi.org/10.1215/9780822386315-002 The Egyptian Moment, (Jan 2004): 85–120.https://doi.org/10.1215/9780822386315-003 The Curse of the Mummy, (Jan 2004): 121–164.https://doi.org/10.1215/9780822386315-004 Undressing Cleopatra, (Jan 2004): 165–221.https://doi.org/10.1215/9780822386315-005 Egypt Land, (Jan 2004): 222–261.https://doi.org/10.1215/9780822386315-006 Notes, (Jan 2004): 263–313.https://doi.org/10.1215/9780822386315-007 Works Cited, (Jan 2004): 315–338.https://doi.org/10.1215/9780822386315-009Susanne Rieser Geschlecht als Special Effekt, (Jan 2002): 320–334.https://doi.org/10.1007/978-3-322-80404-4_16
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