Calling His Children Home
1996; Johns Hopkins University Press; Volume: 19; Issue: 2 Linguagem: Inglês
10.1353/cal.1996.0101
ISSN1080-6512
Autores Tópico(s)Publishing and Scholarly Communication
ResumoCalling His Children Home Natasha Trethewey (bio) for Buddy Bolden Imagine a picture frame that is really a window, weathered white, wide open. In the background, dark arms flex to collar a note—blow it strum it beat it to the cut. All you see is the bell of a horn, or a valve, shiny as a silver dollar. His cornet comes toward you, pushing through the window, leaving the frame. You look straight into the deep black mouth— it is talking, loud. Come on, it calls. You’re almost here. Selected works by Natasha Trethewey: • Accounting • Beginning • Calling His Children Home • Closing Time • Deedywops • Delta Sharecroppers, 1930 • Expectant • History Lesson • Hot Comb • The House Down the Street • Saturday Drive • Secular • The Four Corners • Laying the Waves • An Interview with Natasha Trethewey Related Articles: Accounting Related Articles: Beginning Related Articles: Closing Time Related Articles: Deedywops Related Articles: Delta Sharecroppers, 1930 Related Articles: Expectant Related Articles: History Lesson Related Articles: Hot Comb Related Articles: The House Down the Street Related Articles: Saturday Drive Related Articles: Secular Related Articles: The Four Corners Related Articles: Laying the Waves Related Articles: An Interview with Natasha Trethewey Natasha Trethewey Natasha Trethewey, a member of the Dark Room Collective, is studying for the Ph.D. in English at the University of Massachusetts (Amherst), where she received the M.F.A. in creative writing in 1995. Her poetry has appeared in a variety of periodicals, including The Massachusetts Review, Seattle Review, Agni, The Southern Review, African American Review, The Gettysburg Review, and Callaloo. Copyright © 1996 Charles H. Rowell
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