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A Tribute to Diaghilev at the Ballets Russes Centenary

2010; Taylor & Francis; Volume: 33; Issue: 3 Linguagem: Inglês

10.1080/01472526.2010.517501

1532-4257

Patrizia Veroli,

Physical education and sports games research

Click to increase image sizeClick to decrease image size Notes 1. Books referred to in this paragraph include Richard Buckle's biographies Nijinsky (New York: Simon & Schuster, 1971) and Diaghilev (London: Weidenfeld & Nicolson Ltd., 1979); Arnold Haskell in collaboration with Walter Nouvel, Diaghileff: His Artistic and Private Life (London: Victor Gollancz, 1936); Serge Lifar, Ma vie: From Kiev to Kiev; An Autobiography, trans. James Holman Mason (London: Hutchinson, 1970); and Michel Fokine, Fokine, Memoirs of a Ballet Master, trans. Vitale Fokine, ed. Anatole Chujoy (London: Constable, 1961). 2. Quoted in Richard Taruskin, “Others: A Mythology and a Demurrer (By way of Preface),” in Defining Russia Musically: Historical and Hermeneutical Essays (Princeton, NJ: Princeton University Press, 1997), xxi. 3. Joan Ross Acocella, “Symbolism and Modernism: The Response of European Intellectuals to the Fin-de-Siècle Element in the Pre-War Diaghilev Ballet,” in Proceedings, Society of Dance History Scholars, Sixth Annual Conference, The Ohio State University, February 11–13, 1983, 142–51. 4. Lynn Garafola, “Toward a New Interpretation of Diaghilev's Ballets Russes, 1900–1914,” in Proceedings, Society of Dance History Scholars, Sixth Annual Conference, 152–65. 5. Carl E. Schorske, Fin-de-Siècle Vienna: Politics and Culture (New York: Vintage Books, 1981). 6. Sjeng Scheijen, Sergei Diaghilev: Ik zit vol grootse plannen: Brieven (Amsterdam: Otto Boele, 2004). 7. Mikhail Fokine, Protiv techeniya: Vospominaniya baletmeystera. Stsenarii i zamysly baletov. Stat'i, interv'yu, i pis'ma (Against the Current: Memoirs of a Ballet Master. Librettos and Plans for Ballets. Articles, Interviews, and Letters) (Leningrad: Iskusstvo, 1981); A. N. Benua, Moi vospominaniya (My Memoirs), 2 vols., ed. N. I. Aleksandrova (Moscow: Nauka, 1980); Igor Grabar, Moya zhizn’: Avtomonografiya: Etyudi o khudozhnikakh (My Life: Autobiography: Studies on Painters), ed. V. M. Volodarskogo (Moscow: Respublika, 2001); V. A. Teliakovsky, Dnevniki Direktora Imperatorskikh Teatrov 1898–1901 Moskva (Journals of the Director of the Imperial Theaters, 1898–1901, Moscow), ed. M. G. Svetaeva (Moscow: Artist. Rezhisser. Teatr, 1998); and A. N. Benua and S. P. Diagilev, Perepiska, 1893–1928 (Correspondence, 1893–1928) (St. Petersburg: Sad iskusstv, 2003).