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British photography in the nineteenth century: the fine art tradition

1990; Association of College and Research Libraries; Volume: 27; Issue: 07 Linguagem: Inglês

10.5860/choice.27-3692

1943-5975

Mike Weaver,

Photography and Visual Culture

The camera and the other drawing machines, Doug Nickel Henry Fox Talbot - conversation pieces, Mike Weaver Born like Minerva - D.O.Hill and the origins of photography, Duncan Macmillan David Octavius Hill and Robert Adamson, Sara Stevenson Calvert Richard Jones of Swansea, Rollin Buckman John Dillwyn Llewelyn - instantaneity and transcience, Christopher Titterrington Benjamim Brecknell Turner, Mark Haworth-Booth photography and topography - Tintern Abbey, David Harris Roger Fenton - landscape and still life, Mike Weaver O.G.Rejlander - art studies, Stephanie Spencer Henry Peach Robinson - the grammar of art, Margaret F.Harker Clementina, Viscountess Hawarden - Studies from Life, Virginia Dodier Julia Margaret Cameron - the stamp of divinity, Mike Weaver aesthetic aspects of the photomechanical print, Anne Kelsey Hammond art and science in P.H.Emerson's naturalistic vision, Ellen Handy the correspondence between P.H.Emerson and J.Harvard Thomas, Fiona Pearson Emerson overturned - On English Lagoons and Marsh Leaves, Ian Jeffrey George Davidson - impressionist and anarchist, Brian Coe Frederick Evans - the spiritual harmonies of architecture, Anne Kelsey Hammond J. Craig Annan and D.Y.Cameron in North Holland, William Buchanan Adolf de Meyer - L'Apres-midi d'un faune, Michele Penhall Malcolm Arbuthnot - the end of pictorialism, Melinda Boyd Parsons.