Agency and Fate in Orson Welles's The Lady from Shanghai
2010; University of Chicago Press; Volume: 37; Issue: 2 Linguagem: Inglês
10.1086/657291
ISSN1539-7858
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoPrevious articleNext article No AccessArticleAgency and Fate in Orson Welles's The Lady from ShanghaiRobert B. PippinRobert B. Pippin Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 37, Number 2Winter 2011 Article DOIhttps://doi.org/10.1086/657291 Views: 471Total views on this site Citations: 4Citations are reported from Crossref © 2011 by The University of Chicago. 00093-1896/11/3702-0008$10.00. All rights reserved.PDF download Crossref reports the following articles citing this article:Francesca Iucci “I’m Learning to Smoke Now”: The Evolution of Cigarettes in Orson Welles’s The Lady from Shanghai, Film Matters 13, no.11 (Mar 2022): 68–82.https://doi.org/10.1386/fm_00205_1Marina Simic, Milos Nicic From alienation to irony: Critical film studies and kynical subversion in Serbian film, Glasnik Etnografskog instituta 70, no.22 (Jan 2022): 177–198.https://doi.org/10.2298/GEI2202177SLawrence Hazelrigg Experience, Problems of Scale, and the Aesthetics of Perception, (Nov 2014): 3–51.https://doi.org/10.1108/S0278-120420140000032003Leslie Gardner Review of Game of Thrones, International Journal of Jungian Studies 6, no.22 (May 2014): 171–177.https://doi.org/10.1080/19409052.2014.908099
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