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Fetishizing the Glove in Renaissance Europe

2001; University of Chicago Press; Volume: 28; Issue: 1 Linguagem: Inglês

10.1086/449035

1539-7858

Peter Stallybrass, Ann Rosalind Jones,

Historical Art and Culture Studies

Previous articleNext article No AccessFetishizing the Glove in Renaissance EuropePeter Stallybrass and Ann Rosalind JonesPeter Stallybrass Search for more articles by this author and Ann Rosalind Jones Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 28, Number 1Autumn, 2001Things Article DOIhttps://doi.org/10.1086/449035 Views: 88Total views on this site Citations: 17Citations are reported from Crossref Copyright 2000 The University of ChicagoPDF download Crossref reports the following articles citing this article:Fabien Lacouture De l’Italie à l’Espagne. Le cas Alexandre Farnèse, e-Spania , no.4444 (Feb 2023).https://doi.org/10.4000/e-spania.46324Sanne Wellen “Ricco di tanto ardire”: A Contextual Study of Agnolo Bronzino’s Portrait of Lodovico Capponi, I Tatti Studies in the Italian Renaissance 25, no.22 (Nov 2022): 339–367.https://doi.org/10.1086/721692Laura S. Levitt After a Critique of Secularism, Implicit Religion 23, no.33 (Jul 2021).https://doi.org/10.1558/imre.43228Ellen Sampson Affect and Sensation, Fashion Studies 3, no.11 (Nov 2020).https://doi.org/10.38055/FS030103Nikolina Hatton , ( 2020): 1.https://doi.org/10.1007/978-3-030-49111-6_1Nikolina Hatton “Very Conspicuous on One of His Fingers”: Generative Things in Austen’s Juvenilia, Sense and Sensibility, and Emma, (Jul 2020): 91–136.https://doi.org/10.1007/978-3-030-49111-6_3Danielle Mariann Dove Ghostly Gloves, Haunted Hands: The Material Trace in Sarah Waters's Affinity and Fingersmith, Victoriographies 9, no.33 (Nov 2019): 222–241.https://doi.org/10.3366/vic.2019.0351Alexa Griffith Winton The Vibrant Object, (Apr 2019): 215–239.https://doi.org/10.1002/9781119112297.ch11Nicholas R. Helms Finding the Frame: Inference in Romeo and Juliet and Hamlet, (Jan 2019): 143–173.https://doi.org/10.1007/978-3-030-03565-5_6Patricia Cahill The Feel of the Slaughterhouse: Affective Temporalities and Marlowe’s The Massacre at Paris, (Mar 2017): 155–174.https://doi.org/10.1057/978-1-137-56126-8_8Tom White Textile Logics of Late Medieval Romance, Exemplaria 28, no.44 (Oct 2016): 297–318.https://doi.org/10.1080/10412573.2016.1219478ANNEMARIEKE WILLEMSEN The Geoff Egan Memorial Lecture 2013 Taking up the glove: finds, uses and meanings of gloves, mittens and gauntlets in western Europe, c. AD 1300–1700, Post-Medieval Archaeology 49, no.11 (Jun 2015): 1–36.https://doi.org/10.1179/0079423615Z.00000000069Patricia Cahill The play of skin in The Changeling, postmedieval: a journal of medieval cultural studies 3, no.44 (Dec 2012): 391–406.https://doi.org/10.1057/pmed.2012.26Kate Hill Collecting and the Body in Late-Victorian and Edwardian Museums, (Jan 2012): 153–174.https://doi.org/10.1057/9781137283658_8Kellie Robertson Medieval Things: Materiality, Historicism, and the Premodern Object, Literature Compass 5, no.66 (Nov 2008): 1060–1080.https://doi.org/10.1111/j.1741-4113.2008.00588.xLuke Wilson Renaissance Tool Abuse and the Legal History of the Sudden, (Jan 2005): 121–145.https://doi.org/10.1057/9780230597662_6James A. Knapp “Ocular Proof”: Archival Revelations and Aesthetic Response, Poetics Today 24, no.44 (Dec 2003): 695–727.https://doi.org/10.1215/03335372-24-4-695