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The Simplest Surrealist Act: Valerie Solanas and the (Re) Assertion of Avantgarde Priorities

2001; Cambridge University Press; Volume: 45; Issue: 4 Linguagem: Inglês

10.1162/105420401772990388

1531-4715

James M. Harding,

Music History and Culture

She shot pop art superstar Andy Warhol—but, really, who was Valerie Solanas? And what was “SCUM”? Answering those questions tells a lot about the radically changing landscape of the American avantgarde of the late 1960a.