Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock
2005; Duke University; Volume: 49; Issue: 2 Linguagem: Inglês
10.1215/00222909-011
ISSN1941-7497
Autores Tópico(s)Music Technology and Sound Studies
ResumoResearch Article| October 01 2005 Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock Keith Waters Keith Waters Search for other works by this author on: This Site Google Journal of Music Theory (2005) 49 (2): 333–357. https://doi.org/10.1215/00222909-011 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Keith Waters; Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock. Journal of Music Theory 1 October 2005; 49 (2): 333–357. doi: https://doi.org/10.1215/00222909-011 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Music Theory Search Advanced Search © 2008 by Yale University2008 Article PDF first page preview Close Modal You do not currently have access to this content.
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