Portal de Periódicos da CAPES

Louis Armstrong and the Syntax of Scat

2002; University of Chicago Press; Volume: 28; Issue: 3 Linguagem: Inglês

10.1086/343233

1539-7858

Brent Hayes Edwards,

Music History and Culture

Previous articleNext article Louis Armstrong and the Syntax of ScatBrent Hayes EdwardsBrent Hayes EdwardsPDFPDF PLUSFull TextSupplemental Material Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 28, Number 3Spring 2002 Article DOIhttps://doi.org/10.1086/343233 Views: 711Total views on this site Citations: 38Citations are reported from Crossref ©2002 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Willemien Froneman The ears of apartheid, Social Dynamics 49, no.11 (Jan 2023): 100–115.https://doi.org/10.1080/02533952.2023.2168596, Luiza Zan, Stela Drăgulin, Vocal Depersonalization in Scat Singing, Studia Universitatis Babeş-Bolyai Musica 67, no.11 (Jun 2022): 195–212.https://doi.org/10.24193/subbmusica.2022.1.13BENJAMIN GIVAN Dizzy à la Mimi: Jazz, Text, and Translation, Journal of the Society for American Music 11, no.22 (May 2017): 121–154.https://doi.org/10.1017/S1752196317000049W. J. T. Mitchell Lebende Farbe, (Jan 2017): 169–188.https://doi.org/10.1007/978-3-658-15352-6_8Benjamin R. Lempert Hughes/Olson: Whose Music? Whose Era?, American Literature 87, no.22 (Jun 2015): 303–330.https://doi.org/10.1215/00029831-2886139 Introduction, (Jan 2013): 1–25.https://doi.org/10.1215/9780822378853-001 Pedagogies of the Soulful in Sound, (Jan 2013): 27–69.https://doi.org/10.1215/9780822378853-002 Affects of History, (Jan 2013): 70–104.https://doi.org/10.1215/9780822378853-003 Fado's City, (Jan 2013): 105–138.https://doi.org/10.1215/9780822378853-004 Styling Soulfulness, (Jan 2013): 139–157.https://doi.org/10.1215/9780822378853-005 The Gender of Genre, (Jan 2013): 158–178.https://doi.org/10.1215/9780822378853-006 Haunted by a Throat of Silver, (Jan 2013): 179–225.https://doi.org/10.1215/9780822378853-007 Afterword, (Jan 2013): 227–230.https://doi.org/10.1215/9780822378853-008 Notes, (Jan 2013): 243–279.https://doi.org/10.1215/9780822378853-009 References, (Jan 2013): 281–294.https://doi.org/10.1215/9780822378853-010Daniel Stein Negotiating Primitivist Modernisms: Louis Armstrong, Robert Goffin, and the Transatlantic Jazz Debate1, European journal of American studies 6, no.22 (Apr 2011).https://doi.org/10.4000/ejas.9395Mark Osteen Jazzing the Gift: Improvisation, Reciprocity, Excess, Rethinking Marxism 22, no.44 (Oct 2010): 569–580.https://doi.org/10.1080/08935696.2010.510303 From Nomos to Nomad, (Jan 2009): 21–44.https://doi.org/10.1215/9780822390817-001 The Piazza, the Edicola , and the Noise of the Utterance, (Jan 2009): 45–73.https://doi.org/10.1215/9780822390817-002 Machiavelli's Theory of Sensation and Florence's Vita Festiva, (Jan 2009): 74–95.https://doi.org/10.1215/9780822390817-003 The Viewing Subject, (Jan 2009): 96–122.https://doi.org/10.1215/9780822390817-004 "You're Eating Too Fast!", (Jan 2009): 123–148.https://doi.org/10.1215/9780822390817-005 "The Photographs Tell It All", (Jan 2009): 149–154.https://doi.org/10.1215/9780822390817-006 Notes, (Jan 2009): 155–187.https://doi.org/10.1215/9780822390817-007 Bibliography, (Jan 2009): 189–200.https://doi.org/10.1215/9780822390817-008Dominic Symonds The Story of Oh: the aesthetics and rhetoric of a common vowel sound, Studies in Musical Theatre 2, no.33 (Dec 2008): 245–259.https://doi.org/10.1386/smt.2.3.245_1 Smutty Daubings ●, (Jan 2008): 27–61.https://doi.org/10.1215/9780822389095-001 Belaboring the Point . . ., (Jan 2008): 62–84.https://doi.org/10.1215/9780822389095-002 Hyphen-Nations, (Jan 2008): 85–107.https://doi.org/10.1215/9780822389095-003 "Queer" Quotation Marks, (Jan 2008): 108–133.https://doi.org/10.1215/9780822389095-004 Sem;erot;cs ; Colon:zat:ons : Exclamat!ons !, (Jan 2008): 134–155.https://doi.org/10.1215/9780822389095-005 Notes, (Jan 2008): 169–190.https://doi.org/10.1215/9780822389095-006 Bibliography, (Jan 2008): 191–206.https://doi.org/10.1215/9780822389095-007LAURIE STRAS White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters, Journal of the Society for American Music 1, no.22 (May 2007): 207–255.https://doi.org/10.1017/S1752196307070083Daniel Stein The Performance of Jazz Autobiography, Genre 37, no.22 (Jun 2004): 173–199.https://doi.org/10.1215/00166928-37-2-173Mark Osteen Introduction: Blue Notes toward a New Jazz Discourse, Genre 37, no.11 (Mar 2004): 1–46.https://doi.org/10.1215/00166928-37-1-1David Samuels Language, meaning, modernity, and doowop, Semiotica 2004, no.149149 (Jan 2004).https://doi.org/10.1515/semi.2004.031 Bibliography, (): 203–222.https://doi.org/10.1215/9780822373889-008