Touching Words: Embodying Ethics in Erasmus, Shakespearean Comedy, and Contemporary Theory
2006; University of Chicago Press; Volume: 104; Issue: 1 Linguagem: Inglês
10.1086/510261
ISSN1545-6951
Autores Tópico(s)Seventeenth-Century Political and Philosophical Thought
ResumoNext article No AccessTouching Words: Embodying Ethics in Erasmus, Shakespearean Comedy, and Contemporary TheoryDonald R. WehrsDonald R. WehrsAuburn University Search for more articles by this author Auburn UniversityPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Modern Philology Volume 104, Number 1August 2006 Article DOIhttps://doi.org/10.1086/510261 Views: 25Total views on this site Citations: 5Citations are reported from Crossref © 2006 by The University of Chicago. All rights reserved.PDF download Crossref reports the following articles citing this article:Donald R. Wehrs Introduction: Affect and Texts: Contemporary Inquiry in Historical Context, (Dec 2017): 1–93.https://doi.org/10.1007/978-3-319-63303-9_1Eric L. De Barros The Labours of Hercules: Ethical Embodiment and an Erasmian Justification for Higher Education, Changing English 21, no.44 (Dec 2014): 371–382.https://doi.org/10.1080/1358684X.2014.969054Pamela Bolotin Joseph, Edward Mikel Transformative moral education: challenging an ecology of violence, Journal of Peace Education 11, no.33 (Sep 2014): 317–333.https://doi.org/10.1080/17400201.2014.954363Donald R. Wehrs Placing Human Constants within Literary History: Generic Revision and Affective Sociality in The Winter’s Tale and The Tempest, Poetics Today 32, no.33 (Sep 2011): 521–591.https://doi.org/10.1215/03335372-1375189James A. Knapp Looking for Ethics in Spenser’s Faerie Queene, (Jan 2011): 67–98.https://doi.org/10.1057/9780230117136_4
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