Artigo Revisado por pares

Rethinking Blacula : Ideological Critique at the Intersection of Genres

2012; Taylor & Francis; Volume: 40; Issue: 2 Linguagem: Inglês

10.1080/01956051.2011.620038

ISSN

1930-6458

Autores

Brooks E. Hefner,

Tópico(s)

Cinema and Media Studies

Resumo

Abstract This article considers Blacula (1972) as a radical self-reflexive critique of blaxploitation films. Blacula signifies on early 1970s blaxploitation and horror genres, reverses conventional tropes of monstrosity, and presents a romantic monster that challenges white patriarchal heteronormative authority while suggesting commercial blaxploitation films are complicit with power structures.

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