Rethinking Blacula : Ideological Critique at the Intersection of Genres
2012; Taylor & Francis; Volume: 40; Issue: 2 Linguagem: Inglês
10.1080/01956051.2011.620038
ISSN1930-6458
Autores Tópico(s)Cinema and Media Studies
ResumoAbstract This article considers Blacula (1972) as a radical self-reflexive critique of blaxploitation films. Blacula signifies on early 1970s blaxploitation and horror genres, reverses conventional tropes of monstrosity, and presents a romantic monster that challenges white patriarchal heteronormative authority while suggesting commercial blaxploitation films are complicit with power structures.
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