Fan Culture, the Internet, and the British Influence in Popular Music Studies
2004; Wiley; Volume: 27; Issue: 2 Linguagem: Inglês
10.1111/j.1537-4726.2004.00130.x
ISSN1542-734X
Autores Tópico(s)Digital Games and Media
ResumoThe Journal of American CultureVolume 27, Issue 2 p. 199-209 Fan Culture, the Internet, and the British Influence in Popular Music Studies Gary Burns, Gary BurnsSearch for more papers by this author Gary Burns, Gary BurnsSearch for more papers by this author First published: 11 May 2004 https://doi.org/10.1111/j.1537-4726.2004.00130.xCitations: 2 Gary Burns is professor and assistant chair in the Department of Communication at Northern Illinois University. He is editor of the journal Popular Music and Society, executive director of the Midwest Popular Culture Association and Midwest American Culture Association, and a past president of the American Culture Association. Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Badman, Keith et al. "Time Tunnel 1978. Record Collector Apr. 2003: 187–92. Google Scholar Bowman, Rob. The Academic at the Crossroads of Commerce. Popular Music and Society 21.1 (1997): 5–10. 10.1080/03007769708591651 Google Scholar Bunnell, David, with Richard A. Luecke. The eBay Phenomenon: Business Secrets Behind the World's Hottest Internet Company. New York: John Wiley & Sons, 2000. Google Scholar Burns, Gary. Bosstown: Another Look at the 'Boston Sound' of 1968. Goldmine 26 June 1992: 16–34. Google Scholar Burns, Gary.. Popular Music and Society and the Evolving Discipline of Popular Music Studies. Popular Music and Society 21.1 (1997): 123–31. 10.1080/03007769708591662 Google Scholar Cohen, Adam. The Perfect Store: Inside eBay. Boston: Little, Brown, 2002. Google Scholar Cooper, B. Lee, Frank W. Hoffmann, and William L. Schurk. The Music Magazine Reader's 'Hot 100': Popular Music Periodicals, 1950–1982. JEMF Quarterly 69 (1983): 32–48 . [JEMF stands for John Edwards Memorial Foundation.] Google Scholar Cooper, B. Lee, Frank W. Hoffmann, and William L. Schurk. A Guide to Popular Music Periodicals of the Rock Era, 1953–1983. International Journal of Instructional Media 11 (1984): 369–81. Google Scholar Forster, Tim. A Child's Guide to Good & Evil. Ptolemaic Terrascope 27 (1999): 6–12. Google Scholar Forster, Tim.. The Legend of the West Coast Pop Art Experimental Band. Ptolemaic Terrascope 26 (1999): 5–10. Google Scholar Simon Frith, and Andrew Goodwin , eds. On Record: Rock, Pop, and the Written Word. New York: Pantheon, 1990. Google Scholar Ginsburg, David D. Rock Is a Way of Life: The World of Rock 'n' Roll Fanzines and Fandom. Serials Review 5.1 (1979): 29–46. 10.1016/S0098-7913(79)80065-9 Google Scholar " Goldmine Index. Goldmine 1997 Annual. Ed. Bonni J. Miller. Iola, WI: Krause, 1996: 85–132. Google Scholar Goodwin, Andrew. On Being a Professor of Pop. Popular Music and Society 21.1 (1997): 43–52. 10.1080/03007769708591653 Google Scholar Grendysa, Peter A., comp. Words on Music, Ltd. Catalog-Index of Articles. Caledonia, WI: Words on Music, 1984. Google Scholar Joynson, Vernon. Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964–1975). 4th ed. Glasgow, Scotland: Borderline Productions, 1997. Web of Science®Google Scholar Joynson, Vernon.. The Tapestry of Delights: The Comprehensive Guide to British Music of the Beat, R&B, Psychedelic and Progressive Eras, 1963–1976. Exp. 3rd ed. Glasgow, Scotland: Borderline Productions, 1998. Google Scholar Joynson, Vernon.. Dreams, Fantasies, and Nightmares from Far Away Lands: Canadian, Australasian, and Latin American Rock and Pop, 1963–1975. Wolverhampton, England: Borderline Productions, 1999. Google Scholar Neely, Tim. Sammy Hagar Discography. Goldmine 19 Sept. 2003: 18–19. Google Scholar Negus, Keith. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold, 1992. Google Scholar Negus, Keith.. Popular Music in Theory: An Introduction. Hanover, NH: UP of New England, 1996. Google Scholar Nehring, Neil. Flowers in the Dustbin: Culture, Anarchy, and Postwar England. Ann Arbor: U of Michigan P, 1993. 10.3998/mpub.9875 Google Scholar Popoff, Martin. Sammy Hagar: Everything for the Fun of It. Goldmine 19 Sept. 2003: 14–18. Google Scholar Pruter, Robert. A History of Doowop Fanzines. Popular Music and Society 21.1 (1997): 11–41. 10.1080/03007769708591652 Google Scholar Schonfeld, Roger C. JSTOR: A History. Princeton, NJ: Princeton UP, 2003. Google Scholar Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard UP, 1999. Google Scholar Williams, Christopher. Adrift in the Ether: The Current State of the British Underground. Glasgow, Scotland: Borderline Productions, 1997. Google Scholar Magography Discoveries. 1988–. Currently published monthly by Krause Publications, Iola, WI. 〈http://www.collect.com. Google Scholar Goldmine. 1974–. Currently published biweekly by Krause Publications, Iola, WI. 〈http://www.goldminemag.com. Google Scholar Mojo. 1993–. Currently published monthly by EMAP Performance Network, London, England. 〈http://www.mojo4music.com. Google Scholar Record Collector. 1980–. Currently published monthly by Diamond Publishing, London, England. 〈http://www.recordcollectormag.com. Google Scholar Uncut. 1997–. Currently published monthly by IPC Media, London, England. 〈http://www.uncut.net. Google Scholar Citing Literature Volume27, Issue2June 2004Pages 199-209 ReferencesRelatedInformation
Referência(s)