Tintoretto, prestezza and the poligrafi: a study in the literary and visual culture of Cinquecento Venice
1996; Wiley; Volume: 10; Issue: 1 Linguagem: Inglês
10.1111/j.1477-4658.1996.tb00004.x
ISSN1477-4658
Autores Tópico(s)Italian Literature and Culture
ResumoRenaissance StudiesVolume 10, Issue 1 p. 72-100 Tintoretto, prestezza and the poligrafi: a study in the literary and visual culture of Cinquecento Venice Tom Nichols, Tom Nichols University of AberdeenSearch for more papers by this author Tom Nichols, Tom Nichols University of AberdeenSearch for more papers by this author First published: March 1996 https://doi.org/10.1111/j.1477-4658.1996.tb00004.xCitations: 3 I would like to thank Richard Cocke for his critical reading of an earlier draft of this article, and all the participants in research seminars held by Birkbeck College and by the Venetian Seminar for their helpful comments. I have been helped in particular by my conversations with Michael Douglas-Scott and by the support of Francis Ames-Lewis. I am, above all, indebted to Paul Hills' work on Tintoretto. Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Citing Literature Volume10, Issue1March 1996Pages 72-100 RelatedInformation
Referência(s)