Artigo Acesso aberto Revisado por pares

Designer Selves in Tom Wolfe's The Bonfire of the Vanities and Danielle Steel's Crossings

1994; University Library System, University of Pittsburgh; Volume: 42; Issue: 1 Linguagem: Inglês

10.1179/nam.1994.42.1.1

ISSN

1756-2279

Autores

Hildegard Hoeller,

Tópico(s)

Comics and Graphic Narratives

Resumo

AbstractBoth Tom Wolfe in his realist novel The Bonfire of the Vanities and Danielle Steel in her sentimental novel Crossings use designer and brand names as narrative tools. While such a use of designer names enhances the verisimilitude of the novels, it also involves both authors in complex, post-modern revisions of the nineteenth century literary traditions - realism and sentimental fiction - they place themselves in.

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