Portal de Periódicos da CAPES

Epistemology of the Console

2001; University of Chicago Press; Volume: 27; Issue: 3 Linguagem: Inglês

10.1086/449016

1539-7858

Lynne Joyrich,

Cinema and Media Studies

Previous articleNext article No AccessEpistemology of the ConsoleLynne JoyrichLynne JoyrichPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 27, Number 3Spring, 2001 Article DOIhttps://doi.org/10.1086/449016 Views: 135Total views on this site Citations: 61Citations are reported from Crossref Copyright 2000 The University of ChicagoPDF download Crossref reports the following articles citing this article:Sarah E. S. Sinwell Reading Joey Soloway: popularizing feminist and queer theory in independent film and television, New Review of Film and Television Studies 21, no.22 (May 2023): 187–210.https://doi.org/10.1080/17400309.2023.2196222Zoë Shacklock The category is: streaming queer television, New Review of Film and Television Studies 21, no.22 (May 2023): 316–337.https://doi.org/10.1080/17400309.2023.2202597 Companion Technologies, (Jul 2022): 1–23.https://doi.org/10.1215/9781478022893-001 TV Portraits, (Jul 2022): 25–71.https://doi.org/10.1215/9781478022893-002 TV Performers, (Jul 2022): 72–120.https://doi.org/10.1215/9781478022893-003 TV Dress-Up, (Jul 2022): 121–174.https://doi.org/10.1215/9781478022893-004 TV Pinups, (Jul 2022): 175–221.https://doi.org/10.1215/9781478022893-005 TV Memories, (Jul 2022): 222–254.https://doi.org/10.1215/9781478022893-006 Hard Stop, (Jul 2022): 255–262.https://doi.org/10.1215/9781478022893-007 Notes, (Jul 2022): 263–288.https://doi.org/10.1215/9781478022893-008 Bibliography, (Jul 2022): 289–306.https://doi.org/10.1215/9781478022893-009Patricia White Lesbian Reverie, (Feb 2022): 29–50.https://doi.org/10.1215/9781478022626-003Julia Leyda Playing with Dolls, (Feb 2022): 51–71.https://doi.org/10.1215/9781478022626-004Rebecca M. Gordon Todd Haynes and Julianne Moore, (Feb 2022): 72–90.https://doi.org/10.1215/9781478022626-005David E. Maynard, Theresa L. Geller Oh, the Irony, (Feb 2022): 91–110.https://doi.org/10.1215/9781478022626-006Theresa L. Geller "The Hardest, the Most Difficult Film", (Feb 2022): 111–134.https://doi.org/10.1215/9781478022626-007Jess Issacharoff "Toxins in the Atmosphere", (Feb 2022): 135–157.https://doi.org/10.1215/9781478022626-009Patrick Flanery "All the Cake in the World", (Feb 2022): 158–172.https://doi.org/10.1215/9781478022626-010Sharon Willis The Politics of Disappointment, (Feb 2022): 173–199.https://doi.org/10.1215/9781478022626-011Danielle Bouchard, Jigna Desai All That Whiteness Allows, (Feb 2022): 200–218.https://doi.org/10.1215/9781478022626-012Lynne Joyrich Written on the Screen, (Feb 2022): 219–242.https://doi.org/10.1215/9781478022626-014Bridget Kies It's Not TV, It's Mildred Pierce, (Feb 2022): 243–255.https://doi.org/10.1215/9781478022626-015Mary R. Desjardins The Incredible Shrinking Star, (Feb 2022): 256–280.https://doi.org/10.1215/9781478022626-016Noah A. Tsika Having a Ball with Dottie, (Feb 2022): 281–298.https://doi.org/10.1215/9781478022626-017Nick Davis Bringing It All Back Home, or Feminist Suppositions on a Film Concerning Dylan, (Feb 2022): 299–316.https://doi.org/10.1215/9781478022626-018Theresa L. Geller Feminism's Indelible Mark, (Feb 2022): 1–28.https://doi.org/10.1215/9781478022626-001 Filmography, (Feb 2022): 317–320.https://doi.org/10.1215/9781478022626-021 References, (Feb 2022): 321–339.https://doi.org/10.1215/9781478022626-019 Introduction, (Jan 2019): 1–26.https://doi.org/10.1215/9781478003397-001 Camp TV and Queer Gender, (Jan 2019): 27–54.https://doi.org/10.1215/9781478003397-002 Queer Gender and Bob Cummings, (Jan 2019): 55–87.https://doi.org/10.1215/9781478003397-003 Marriage Schmarriage, (Jan 2019): 88–130.https://doi.org/10.1215/9781478003397-004 Trans Camp TV, (Jan 2019): 131–154.https://doi.org/10.1215/9781478003397-005 Conclusion, (Jan 2019): 155–164.https://doi.org/10.1215/9781478003397-006 Notes, (Jan 2019): 165–195.https://doi.org/10.1215/9781478003397-007 Bibliography, (Jan 2019): 197–209.https://doi.org/10.1215/9781478003397-008Jiang Chang, Hailong Ren Keep Silent, Keep Sinful: Mainstream Newspapers' Representation of Gay Men and Lesbians in Contemporary China, Indian Journal of Gender Studies 24, no.33 (Oct 2017): 317–340.https://doi.org/10.1177/0971521517716765Catherine Gonnard, Elisabeth Lebovici Inventer son genre dans le langage de la télévision, GLAD! , no.0101 (Jul 2016).https://doi.org/10.4000/glad.209Jenée Wilde Dimensional sexuality: exploring new frameworks for bisexual desires, Sexual and Relationship Therapy 29, no.33 (Jun 2014): 320–338.https://doi.org/10.1080/14681994.2014.919377 Introduction, (Jan 2013): 1–32.https://doi.org/10.1215/9780822399063-001 Maddening Times, (Jan 2013): 35–52.https://doi.org/10.1215/9780822399063-003 Mad Space, (Jan 2013): 53–72.https://doi.org/10.1215/9780822399063-004 Representing the Mad Margins of the Early 1960s, (Jan 2013): 73–91.https://doi.org/10.1215/9780822399063-005 After the Sex, What?, (Jan 2013): 92–110.https://doi.org/10.1215/9780822399063-006 The Writer as Producer; or, The Hip Figure after HBO, (Jan 2013): 111–130.https://doi.org/10.1215/9780822399063-007 The Shock of the Banal, (Jan 2013): 133–144.https://doi.org/10.1215/9780822399063-009 Mod Men, (Jan 2013): 145–160.https://doi.org/10.1215/9780822399063-010 Swing Skirts and Swinging Singles, (Jan 2013): 161–180.https://doi.org/10.1215/9780822399063-011 Against Depth, (Jan 2013): 181–191.https://doi.org/10.1215/9780822399063-012 "It Will Shock You How Much This Never Happened", (Jan 2013): 192–210.https://doi.org/10.1215/9780822399063-013 Media Madness, (Jan 2013): 213–237.https://doi.org/10.1215/9780822399063-015 "Maidenform", (Jan 2013): 238–256.https://doi.org/10.1215/9780822399063-016 History Gets in Your Eyes, (Jan 2013): 257–278.https://doi.org/10.1215/9780822399063-017 The Homosexual and the Single Girl, (Jan 2013): 279–299.https://doi.org/10.1215/9780822399063-018 Mad Men's Postracial Figuration of a Racial Past, (Jan 2013): 300–319.https://doi.org/10.1215/9780822399063-019Lauren M.E. Goodlad The Mad Men in the Attic, (Jan 2013): 320–344.https://doi.org/10.1215/9780822399063-020Michael Bérubé Afterword, (Jan 2013): 345–360.https://doi.org/10.1215/9780822399063-021Jimmy Draper Idol Speculation: Queer Identity and a Media-Imposed Lens of Detection, Popular Communication 10, no.33 (Jul 2012): 201–216.https://doi.org/10.1080/15405702.2012.682934Amy Villarejo TV Queen: Lending an Ear to Charles Pierce, Modern Drama 53, no.33 (Sep 2010): 350–369.https://doi.org/10.3138/md.53.3.350Hollis Griffin Queerness, the Quality Audience, and Comedy Central's Reno 911!, Television & New Media 9, no.55 (Feb 2008): 355–370.https://doi.org/10.1177/1527476408315114Didi Herman 'I'm Gay': Declarations, Desire, and Coming Out On Prime-Time Television, Sexualities 8, no.11 (Feb 2005): 7–29.https://doi.org/10.1177/1363460705049572