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"Despite All the Amputations, You Could Dance to the Rock and Roll Station": Staging Authenticity in Hedwig and the Angry Inch

2007; Wiley; Volume: 19; Issue: 3 Linguagem: Inglês

10.1111/j.1533-1598.2007.00126.x

1533-1598

Steve Feffer,

Digital Games and Media

Journal of Popular Music StudiesVolume 19, Issue 3 p. 239-258 “Despite All the Amputations, You Could Dance to the Rock and Roll Station”: Staging Authenticity in Hedwig and the Angry Inch Steve Feffer, Steve Feffer Western Michigan UniversitySearch for more papers by this author Steve Feffer, Steve Feffer Western Michigan UniversitySearch for more papers by this author First published: 30 August 2007 https://doi.org/10.1111/j.1533-1598.2007.00126.xCitations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Auslander, Philip. Liveness: Performance in a Mediatized Culture. New York : Routledge, 1999. Atwood, Brett. Queer Punk Rock Ready to Face Market. Billboard 107(18) (1995). Bangs, Lester. Psychotic Reactions and Carburetor Dung. Ed. Greil Marcus. New York : Vintage, 1988. Bowie, David. Rock and Roll Suicide. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (30th Anniversary 2CD Edition). Rec. 11 Nov. 1971. CD. EMI, 2002. Buckley, David. Still Pop's Faker?” The David Bowie Companion. Eds. Elizabeth Thompson and Gutman David. New York : Da Capo Press, 1996. Butler, Judith. Bodies That Matter: On the Discursive Limits of “Sex.” New York and London : Routledge, 1993. County, Jayne. Man Enough to Be a Woman. London : Serpent's Tail, 1995. Coyle, Michael and Jon Dolan. Modeling Authenticity, Authenticating Commercial Models. Reading Rock and Roll: Authenticity, Appropriation, and Aesthetics. Eds. Kevin J. H. Dettmar, and William Richey. New York : Columbia UP, 1999 DeChaine, Robert D. Mapping Subversion: Queercore Music's Playful Discourse of Resistance. Popular Music and Society. 21(4) (1997): 7–37. DeRogatis, Jim. The Dull Thud of the Grease Paint. Chicago Sun Times 28 March 1999, late ed.: Show 6+. Fricke, David. Sex & Drag & Rock & Roll: Hedwig and the Angry Inch Is the First Rock Musical That Truly Rocks. Rolling Stone, 10 December 1998: 54–57. Gendron, Bernard. From Montmartre to the Mudd Club: Popular Music and the Avant-garde. Chicago : U of Chicago P, 2002. Gill, John. Queer Noises: Male and Female Homosexuality in Twentieth Century Music. Minneapolis : U of Minnesota P, 1995. Grossberg, Lawrence. The Media Economy of Rock Culture: Cinema, Postmodernity and Authenticity. Sound and Vision: The Music Video Reader. Ed. Simon Frith, Andrew Goodwin, and Lawrence Grossberg. New York : Routledge, 1993. Grossberg, Lawrence. We Gotta Get Outta This Place: Popular Conservatism and Postmodern Culture. New York : Routledge, 1992. Herman, Andrew, and John M. Sloop. The Politics of Authenticity in Postmodern Rock: The Case of Negativland and the Letter…” Critical Studies in Mass Communication 15(1) (1998): 1–20. Heylin, Clinton. From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World. New York : Penguin, 1993. McNeil, Legs, and Gillian McCain. Please Kill Me: The Uncensored Oral History of Punk. New York : Grove, 1996. Mitchell, John Cameron. Dir. “ Whether You Like it or Not: The Story of Hedwig. Hedwig and the Angry Inch. New Line DVD, 2001. Mitchell, John Cameron and Stephen Trask. Hedwig and the Angry Inch. Woodstock , NY : Overlook, 2002. Mitchell, John Cameron and Stephen Trask. Hedwig and the Angry Inch: The Original Cast Recording. Atlantic Records, 1999. Mitchell, John Cameron and Stephen Trask. Interview. All Things Considered. NPR. 6 April 1998. Munoz, Jose Estaban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis : U of Minnesota P, 1999. Reed, Lou. Between Thought and Expression: The Selected Lyrics of Lou Reed. New York : Hyperion, 1991. Reed, Lou. Rock and Roll.” Perf. The Velvet Underground. Rec. Spring/Summer 1970. Loaded (Fully Loaded Edition). CD. Rhino, 1997. Reed, Lou. Transformer. Rec. 1972. CD. BMG, 2002. Savage, Jon. England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond. New York : St. Martin's, 2002. Warfield, Scott. From Hair to Rent: Is ‘Rock’ a Four-Letter Word on Broadway?” The Cambridge Companion to the Musical. Eds. William A. Everett and Paul R. Laird. New York and Cambridge : Cambridge UP, 2002. Wig in a Box: Songs From and Inspired by Hedwig and the Angry Inch. Various Artists. CD. Off Records, 2003. Zanes, R. J. Warren. Too Much Mead? Under the Influence (Of Participant – Observation). Reading Rock and Roll: Authenticity, Appropriation, Aesthetics. Ed. Kevin J. H. Dettmar and William Richey. New York : Columbia UP, 1999. Citing Literature Volume19, Issue3September 2007Pages 239-258 ReferencesRelatedInformation