Portal de Periódicos da CAPES

The Evidence of the Image

2007; Johns Hopkins University Press; Volume: 47; Issue: 3 Linguagem: Inglês

10.1353/esp.2007.0049

1931-0234

Ian James,

Hannah Arendt's Political Philosophy

This article examines Jean-Luc Nancy's thinking of 'evidence' as developed in his short work on the film of Abbas Kiarostami. In particular it examines the way in which Nancy's thinking 'evidence' engages with a phenomenological heritage surrounding the question of 'originary intuition' and through this affirms a specific mode of contact between images of art and worldly existence.