A Theory of Musical Analysis: On Segmentation and Associative Organization
2014; Taylor & Francis; Volume: 36; Issue: 1 Linguagem: Inglês
10.1080/08145857.2014.911065
ISSN1949-453X
AutoresMichael Boerner, Matt Brounley, Felipe Ledesma-Núñez, Judy Lochhead, Anna Reguero, Hayley Roud, Laura Catharine Smith,
Tópico(s)Diverse Musicological Studies
ResumoClick to increase image sizeClick to decrease image size Additional informationNotes on contributorsJudy LochheadJudy Lochhead is a theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe, with particular emphasis on music of the western classical tradition. Her work builds upon concepts and methodologies of post-phenomenology and cultural theory, and she is currently involved in two interdisciplinary research groups at Stony Brook University: Applied Aesthetics and Embodied Cognition. Lochhead has articles appearing in such journals as Music Theory Spectrum, the Journal of the American Musicological Society, Music Theory Online, Theory and Practice, In Theory Only, and in various edited collections. With Joseph Auner, Lochhead co-edited Postmodern Music/Postmodern Thought (Routledge 2001). Some recent work includes: ‘Technē of Radiance: Kaija Saariaho's Lonh’, ‘Difference Inhabits Repetition: Sofia Gubaidulina's Second String Quartet’, and ‘Chaotic Mappings: On the Ground with Music’.Michael Boerner, Matt Brounley, Felipe Ledesma-Núñez, Anna Reguero, Hayley Roud and Laura Smith are current postgraduate students in the Department of Music at Stony Brook University. Email: Judith.lochhead@stonybrook.edu
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