Edward Hopper's "Girlie Show": Who Is the Silent Partner?
2000; University of Chicago Press; Volume: 14; Issue: 2 Linguagem: Inglês
10.1086/424356
ISSN1549-6503
Autores Tópico(s)Art, Politics, and Modernism
ResumoPrevious articleNext article No AccessEdward Hopper's "Girlie Show": Who Is the Silent Partner?Vivien Green FrydVivien Green FrydPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by American Art Volume 14, Number 2Summer 2000 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/424356 Views: 32Total views on this site Citations: 5Citations are reported from Crossref Copyright 2000 Smithsonian InstitutionPDF download Crossref reports the following articles citing this article:Philip Smith The Empty Stage in Edward Hopper's Early Sunday Morning, Girlie Show, and Two Comedians, European journal of American studies 16, no.11 (Apr 2021).https://doi.org/10.4000/ejas.16694Erika Doss Hopper's Cool: Modernism and Emotional Restraint, American Art 29, no.33 (Dec 2015): 2–27.https://doi.org/10.1086/684918Andrew Edgar The Modernism of Sport, Sport, Ethics and Philosophy 7, no.11 (Feb 2013): 121–139.https://doi.org/10.1080/17511321.2012.761887 권주연 에드워드 호퍼(Edward Hopper) 회화에 나타난 소외의 표상 - 모더니즘과 필름 느와르와의 연관성을 중심으로, Journal of History of Modern Art null, no.2424 (Dec 2008): 7–28.https://doi.org/10.17057/kahoma.2008..24.001Kathleen Spies "Girls and Gags" Sexual Display and Humor in Reginald Marsh's Burlesque Images Spies, American Art 18, no.22 (Jul 2015): 32–57.https://doi.org/10.1086/424789
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