Connoisseurship and the Stakes of Style
2005; University of Chicago Press; Volume: 32; Issue: 1 Linguagem: Inglês
10.1086/498001
ISSN1539-7858
Autores Tópico(s)Multisensory perception and integration
ResumoNext article No AccessConnoisseurship and the Stakes of StyleRichard NeerRichard NeerPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 32, Number 1Autumn 2005 Article DOIhttps://doi.org/10.1086/498001 Views: 783Total views on this site Citations: 33Citations are reported from Crossref ©2005 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Eliot Bates, Samantha Bennett Look at all those big knobs! Online audio technology discourse and sexy gear fetishes, Convergence: The International Journal of Research into New Media Technologies 28, no.55 (Jun 2022): 1241–1259.https://doi.org/10.1177/13548565221104445Sonja Drimmer Connoisseurship, Art History, and the Paleographical Impasse in Middle English Studies, Speculum 97, no.22 (Mar 2022): 415–468.https://doi.org/10.1086/718763Michael Connerty Connoisseurship, Attribution, and Comic Strip Art: The Case of Jack B. Yeats, (Jun 2022): 33–52.https://doi.org/10.1007/978-3-030-93507-8_3Jakub Stejskal Aesthetic Archaeology, Critical Inquiry 48, no.11 (Aug 2021): 144–166.https://doi.org/10.1086/715981Jakub Stejskal Visual style hermeneutics: from style to context, World Art 21 (Apr 2021): 1–27.https://doi.org/10.1080/21500894.2021.1899984Jordan Schonig "Liking" as creating: On aesthetic category memes, New Media & Society 22, no.11 (Jun 2019): 26–48.https://doi.org/10.1177/1461444819855727Robin Veder Preface, American Art 33, no.11 (Apr 2019): 2–2.https://doi.org/10.1086/703706Ashley Lazevnick What's in a Name? Precisionism, American Art 33, no.11 (Apr 2019): 3–13.https://doi.org/10.1086/703707Emma Acker The Mystery and Melancholy of a Style, American Art 33, no.11 (Apr 2019): 14–18.https://doi.org/10.1086/703708Leo G. Mazow Dual Precisionism, American Art 33, no.11 (Apr 2019): 19–23.https://doi.org/10.1086/703709Nathaniel B. Jones Truth from fiction: Connoisseurship in Greco-Roman antiquity, Res: Anthropology and aesthetics 71-72 (Feb 2020): 229–240.https://doi.org/10.1086/706208Eric Driscoll Beazley's Connoisseurship: Aesthetics, Natural History, and Artistic Development, (Jan 2019): 101–120.https://doi.org/10.4000/books.editionsehess.13689Margaret Cool Root Style, (Sep 2018): 75–101.https://doi.org/10.1002/9781118336779.ch4Jordan Schonig The chained camera: on the ethics and politics of the follow-shot aesthetic, New Review of Film and Television Studies 16, no.33 (Jun 2018): 264–294.https://doi.org/10.1080/17400309.2018.1479184Patrick R. Crowley Roman Death Masks and the Metaphorics of the Negative, Grey Room 64 (Jul 2016): 64–103.https://doi.org/10.1162/GREY_a_00197Tomi Nokelainen, Ozgur Dedehayir Technological adoption and use after mass market displacement: The case of the LP record, Technovation 36-37 (Feb 2015): 65–76.https://doi.org/10.1016/j.technovation.2014.10.006Claudia E. Suter Classifying Iron Age Levantine Ivories: Impracticalities and a New Approach, Altorientalische Forschungen 42, no.11 (Jan 2015).https://doi.org/10.1515/aofo-2015-0007 Martyrdom, Rhetoric, and the Politics of Procedure, Classical Antiquity 33, no.22 (Oct 2014): 243–280.https://doi.org/10.1525/CA.2014.33.2.243 References, (Mar 2013): 611–710.https://doi.org/10.1002/9781118557129.refsS. M. Tarte Papyrological investigations: transferring perception and interpretation into the digital world, Literary and Linguistic Computing 26, no.22 (Apr 2011): 233–247.https://doi.org/10.1093/llc/fqr010I. Castaneda Visual Culture, Art History and the Humanities, Arts and Humanities in Higher Education 8, no.11 (Feb 2009): 41–55.https://doi.org/10.1177/1474022208098301Emanuele Lugli Connoisseurship as a system: Reflections on Federico Zeri's Due dipinti, la filologia e un nome, Word & Image 24, no.22 (Apr 2008): 162–175.https://doi.org/10.1080/02666286.2008.10405738 Introduction, (Jan 2008): 1–32.https://doi.org/10.1215/9780822389163-001 Poor Eliza, (Jan 2008): 33–68.https://doi.org/10.1215/9780822389163-002 Pax Americana, (Jan 2008): 69–106.https://doi.org/10.1215/9780822389163-003 National Brands, National Body, (Jan 2008): 107–144.https://doi.org/10.1215/9780822389163-004 Uncle Sam Needs a Wife, (Jan 2008): 145–168.https://doi.org/10.1215/9780822389163-005 Remembering Love, Forgetting Everything Else, (Jan 2008): 169–206.https://doi.org/10.1215/9780822389163-006 "It's Not the Tragedies That Kill Us, It's the Messes", (Jan 2008): 207–232.https://doi.org/10.1215/9780822389163-007 The Compulsion to Repeat Femininity, (Jan 2008): 233–264.https://doi.org/10.1215/9780822389163-008 Notes, (Jan 2008): 281–318.https://doi.org/10.1215/9780822389163-009 Bibliography, (Jan 2008): 319–346.https://doi.org/10.1215/9780822389163-010 Richard Neer Godard Counts Richard Neer, Critical Inquiry 34, no.11 (Jul 2015): 135–173.https://doi.org/10.1086/526090
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